{"title":"Estetiken i praktiken","authors":"Anna Lyngfelt, Camilla Björklund","doi":"10.14811/clr.v46.801","DOIUrl":null,"url":null,"abstract":"Aesthetics in Practice: About the Relationship Between Aesthetics and Pedagogy When Reading Lisen Adbåge’s Samtidigt som \nThe purpose of this article is to investigate the relationship between aesthetics and pedagogy by focusing on a picturebook’s aesthetic design and students’ understanding of time as abstraction. The survey uses Lisen Adbåge’s picturebook Samtidigt som (At the Same Time As, 2017), which was read and discussed in three Swedish preschool classes. In the study, the book’s artistic forms of expression are linked to students’ statements about what ”at the same time as” means. The research questions are: a) How does time appear as a phenomenon through the book’s artistic forms of expression? b) What do the children focus on in doublespreads that arouse their interest when they reason about what ”at the same time” means? and c) Is it possible to discern what specifically triggers thoughts about time through the aesthetic design of the book? To answer the research questions, theory for picturebook analysis (Laukka) and play research (Pramling et al.) is used, as well as conversation analysis (Sidnell and Stivers). Through the children’s comments when reading the book aloud to them, it turns out that seven of the 13 doublespreads in the book attract the children’s interest more than the others, and these are the doublespreads that contain an interplay between what happens (”as is”) and may happen (”as if”). Play research’s use of ”as is” and ”as if” is therefore proposed as a starting point for understanding children’s interpretation of a picturebook, that is, as thought play. Also, this implies that aesthetic means are important for developing an understanding of abstractions such as time.","PeriodicalId":52259,"journal":{"name":"Barnboken","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2023-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Barnboken","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14811/clr.v46.801","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
实践中的美学:在阅读《聆听》时,美学与教育学的关系本文的目的是通过一本绘本的美学设计和学生对时间的抽象理解来探讨美学与教育学的关系。该调查使用了listen adb的绘本Samtidigt som (At Same Time As, 2017),在三个瑞典学前班中阅读和讨论。在这项研究中,这本书的艺术表达形式与学生对“同时”的含义的陈述有关。研究的问题是:a)时间是如何通过书的艺术表现形式作为一种现象出现的?b)当孩子们在推理“同时”是什么意思时,他们关注的是什么?c)是否有可能通过这本书的美学设计辨别出具体是什么触发了人们对时间的思考?为了回答研究问题,使用了绘本分析(Laukka)和游戏研究(Pramling等人)的理论,以及对话分析(Sidnell和Stivers)。通过孩子们在大声朗读时的评论,我们发现书中的13个双重谎言中有7个比其他更能吸引孩子们的兴趣,这些双重谎言包含了发生的事情(“事实”)和可能发生的事情(“好像”)之间的相互作用。因此,游戏研究使用“as is”和“as if”作为理解儿童对绘本的解释的起点,即思想游戏。此外,这意味着美学手段对于发展对抽象概念(如时间)的理解很重要。
Aesthetics in Practice: About the Relationship Between Aesthetics and Pedagogy When Reading Lisen Adbåge’s Samtidigt som
The purpose of this article is to investigate the relationship between aesthetics and pedagogy by focusing on a picturebook’s aesthetic design and students’ understanding of time as abstraction. The survey uses Lisen Adbåge’s picturebook Samtidigt som (At the Same Time As, 2017), which was read and discussed in three Swedish preschool classes. In the study, the book’s artistic forms of expression are linked to students’ statements about what ”at the same time as” means. The research questions are: a) How does time appear as a phenomenon through the book’s artistic forms of expression? b) What do the children focus on in doublespreads that arouse their interest when they reason about what ”at the same time” means? and c) Is it possible to discern what specifically triggers thoughts about time through the aesthetic design of the book? To answer the research questions, theory for picturebook analysis (Laukka) and play research (Pramling et al.) is used, as well as conversation analysis (Sidnell and Stivers). Through the children’s comments when reading the book aloud to them, it turns out that seven of the 13 doublespreads in the book attract the children’s interest more than the others, and these are the doublespreads that contain an interplay between what happens (”as is”) and may happen (”as if”). Play research’s use of ”as is” and ”as if” is therefore proposed as a starting point for understanding children’s interpretation of a picturebook, that is, as thought play. Also, this implies that aesthetic means are important for developing an understanding of abstractions such as time.