IF 0.6 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Beatriz Llenín-Figueroa
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引用次数: 0

摘要

摘要:路易莎·卡佩略的革命力量在她的时代得到了盟友和批评者的认可,无论是在波多黎各还是在国外。1911年至1913年间,波多黎各和美国报纸报道的档案几乎没有经过审查,显示了卡佩蒂略的gesta(英雄壮举)和gestos(手势、动作)的重要性,提供了她颠覆性行走的有力痕迹,并为她自己的论点提供了一个例子。路易莎·卡佩蒂略(luisa Capetillo)通过她精心打扮和表演的步行——作为工人领导和无政府主义表现的一部分,以及作为她自己事实上的女权主义声明——成为/正在成为另一个女人。在路易莎和她的faldapantalón(裙裤)事件之后,没有一条人行道(人行道)或calle(街道),也没有任何以步行形式反对权力的抗议活动。为了反映这一前提,这篇文章以梦幻般的脚步和双语方式,穿越了作者与路易莎(Luisa)在报纸档案馆旁边走过的过去和现在的步行旅程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Walking Duermevelas with Luisa
Abstract:Luisa Capetillo's revolutionary power was recognized in her time by allies and detractors alike, both in Puerto Rico and abroad. The scarcely examined archive of Puerto Rican and US-based newspaper coverage between 1911 and 1913 shows the significance of Capetillo's gesta (heroic feat) and gestos (gestures, movements), offering a powerful trace of her subversive walks and an instance of her own argument. Through her deliberately clothed and performed walks—as part of worker-led and anarchist manifestations and, on her own, as a de facto feminist statement—Luisa Capetillo became/was becoming an other woman. Not a single acera (sidewalk) or calle (street), nor any protest in the archipelago taking the form of a walk against power, has ever been the same after Luisa and her faldapantalón (skirt-pant). Attempting to reflect this premise, this essay traverses, on dreamy foot and bilingually, the author's past-and-present walking duermevelas with Luisa alongside the newspaper archive.
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来源期刊
Small Axe
Small Axe HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
16.70%
发文量
34
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