“出埃及”还是“流放”:露易丝·格尔克诗歌中“更多生命”的比喻

Q4 Social Sciences
Errgo Pub Date : 2022-12-30 DOI:10.31261/errgo.13127
Kacper Bartczak
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引用次数: 0

摘要

“出埃及”还是“流放”:露易丝·格尔诗歌中“更多生命”的比喻:诗歌中的生命是什么?一个试图回答这个问题的概念是“更多生命”的心理神学、弥赛亚和活力论范畴,由波兰学者阿加塔·拜利克-罗布森在哈罗德·布鲁姆的诗歌化身理论的基础上阐述。布鲁姆的作品构成了犹太弥赛亚活力主义和美国诗歌活力主义之间的联系,我把gl ck放在其中。作为主观性与法则和必然性(自然和死亡)支配的经验秩序的对立立场,“更多的生命”将诗意的心灵置于一个不稳定的位置,作为一个介于两者之间的过度实体。这篇文章考察了gl ck的诗歌主题在弥赛亚承诺“更多生命”的背景下与这些秩序有关的立场轨迹。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Exodus or Exile: The Trope of "more life" in Louise Glück’s Poetry
Exodus or Exile: The Trope of "more life" in Louise Glück’s Poetry What is life in poetry? One concept that is trying to answer this questions is a psycho-theological, messianic and vitalist category of “more life,” elaborated by the Polish scholar Agata Bielik-Robson on the basis of Harold Bloom’s theory of poetic incarnation. Bloom’s writings constitute a link between the Jewish messianic vitalism and the vitalist line of American poetry, in which I place Glück. An antithetical position of subjectivityagainst the orders of experience governed by law and necessity (nature and death), “more life” positions the poetic psyche in a precarious position as an excessive entity in-betweenthem. The article examines a trajectory of the positions that Glück’s poetic subjects takein relation to those orders in the context of the messianic promise of “more life.”
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Errgo
Errgo Arts and Humanities-General Arts and Humanities
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