探索智能手机图像从相机胶卷到社交媒体平台的生命周期

IF 0.4 Q4 COMMUNICATION
T. Thomson
{"title":"探索智能手机图像从相机胶卷到社交媒体平台的生命周期","authors":"T. Thomson","doi":"10.1080/15551393.2020.1862663","DOIUrl":null,"url":null,"abstract":"Recent critiques contend that “Far too much current writing on photography—even in pieces about social media and photography—fixate on professional photographers,” so this piece seeks to buck that trend by focusing on ordinary smartphone owners and how they use their mobile devices to capture or create, stylize, and represent their worlds. More specifically, this study examines the “life cycle” of images from capture or creation on the device to potential editing and sharing on social media. It does so through a multimethod, qualitative approach that blends an examination of the users’ camera rolls and images they post to social media platforms with in-depth interviews to contexualize and explain their practices. The results indicate that the ordinary individuals in this sample created vastly more images than they shared and that they used their mobile devices chiefly to preserve memories, document new or unusual experiences, preserve inspiration, provide accountability or evidence, and to create visual media as a stand-in for verbal communication. Of the images they did share, ones with common reference points were most likely to be distributed, followed by ones showing new, rare or unusual experiences, ones that were unified or consistent with other images previously posted, and images that flattered the uploader.","PeriodicalId":43914,"journal":{"name":"Visual Communication Quarterly","volume":"28 1","pages":"19 - 33"},"PeriodicalIF":0.4000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Exploring the Life Cycle of Smartphone Images from Camera Rolls to Social Media Platforms\",\"authors\":\"T. Thomson\",\"doi\":\"10.1080/15551393.2020.1862663\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Recent critiques contend that “Far too much current writing on photography—even in pieces about social media and photography—fixate on professional photographers,” so this piece seeks to buck that trend by focusing on ordinary smartphone owners and how they use their mobile devices to capture or create, stylize, and represent their worlds. More specifically, this study examines the “life cycle” of images from capture or creation on the device to potential editing and sharing on social media. It does so through a multimethod, qualitative approach that blends an examination of the users’ camera rolls and images they post to social media platforms with in-depth interviews to contexualize and explain their practices. The results indicate that the ordinary individuals in this sample created vastly more images than they shared and that they used their mobile devices chiefly to preserve memories, document new or unusual experiences, preserve inspiration, provide accountability or evidence, and to create visual media as a stand-in for verbal communication. Of the images they did share, ones with common reference points were most likely to be distributed, followed by ones showing new, rare or unusual experiences, ones that were unified or consistent with other images previously posted, and images that flattered the uploader.\",\"PeriodicalId\":43914,\"journal\":{\"name\":\"Visual Communication Quarterly\",\"volume\":\"28 1\",\"pages\":\"19 - 33\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Visual Communication Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/15551393.2020.1862663\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Communication Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15551393.2020.1862663","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 2

摘要

最近有评论认为,“现在有太多关于摄影的文章——即使是关于社交媒体和摄影的文章——都专注于专业摄影师”,所以这篇文章试图通过关注普通智能手机用户,以及他们如何使用移动设备来捕捉或创造、风格化和代表他们的世界,来扭转这一趋势。更具体地说,这项研究考察了图像的“生命周期”,从设备上的拍摄或创作到潜在的编辑和社交媒体上的分享。它通过一种多方法、定性的方法来做到这一点,这种方法将对用户的相机胶卷和他们发布到社交媒体平台上的图像的检查与深入访谈相结合,以背景化和解释他们的做法。结果表明,这个样本中的普通人创造的图像远远多于他们分享的图像,他们使用移动设备主要是为了保存记忆,记录新的或不寻常的经历,保存灵感,提供责任或证据,并创建视觉媒体作为口头交流的替代品。在他们分享的照片中,有共同参考点的照片最有可能被分发,其次是展示新的、罕见的或不寻常经历的照片,与之前发布的其他照片统一或一致的照片,以及取悦上传者的照片。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Exploring the Life Cycle of Smartphone Images from Camera Rolls to Social Media Platforms
Recent critiques contend that “Far too much current writing on photography—even in pieces about social media and photography—fixate on professional photographers,” so this piece seeks to buck that trend by focusing on ordinary smartphone owners and how they use their mobile devices to capture or create, stylize, and represent their worlds. More specifically, this study examines the “life cycle” of images from capture or creation on the device to potential editing and sharing on social media. It does so through a multimethod, qualitative approach that blends an examination of the users’ camera rolls and images they post to social media platforms with in-depth interviews to contexualize and explain their practices. The results indicate that the ordinary individuals in this sample created vastly more images than they shared and that they used their mobile devices chiefly to preserve memories, document new or unusual experiences, preserve inspiration, provide accountability or evidence, and to create visual media as a stand-in for verbal communication. Of the images they did share, ones with common reference points were most likely to be distributed, followed by ones showing new, rare or unusual experiences, ones that were unified or consistent with other images previously posted, and images that flattered the uploader.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.90
自引率
0.00%
发文量
28
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信