《洛丽塔》中的女性:关于女性性行为的暴力话语

Renata Wirthmann, S. S. Souza
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摘要

本文试图对弗拉基米尔·纳博科夫1955年出版的文学作品《洛丽塔》中的女性进行精神分析解读。这本书是亨伯特·亨伯特(38岁)的自传,他的爱情对象是一个12岁的女孩,他称她为“少女”。叙述者认为存在两种不同的女性类别。第一种是成年妇女,她们被称为法律允许与男子发生性关系的缓和代理人。仅次于恶魔的仙女,他们真正的欲望对象。本文将从弗洛伊德对女性的解读出发,在哲学家西蒙娜·德·波伏娃对女性社会表征类别研究的支持下,回归到女性分类的创造者、叙述者亨伯特·亨伯特身上,探讨拜物教的概念。在作品的最后,我们能够意识到,关于女性性行为的论述完全是为了亨伯特·亨伯特的利益而构成的,他决定并享受女性的命名,也就是说,通过谈论女性,叙述者帮助我们产生了一种知识,事实上,关于男性性行为。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
As mulheres em Lolita: um discurso violento sobre a sexualidade feminina
This article intends to construe a psychoanalytical reading about the women in the literary work Lolita, by Vladimir Nabokov, published in 1955. The book is the autobiography of Humbert Humbert, 38, whose love object is a 12-year-old girl whom that he names as a nymphet. The narrator argues for the existence of two different female categories. The first would be attributed to adult women, named as palliative agents as permitted by the Law to have sexual relations with men. The second to diabolical nymphets, their true object of desire. Starting from a Freudolacanian reading about the feminine and supported by the philosopher Simone de Beauvoir’s studies on the categories of women’s social representation, this paper will return to the narrator Humbert Humbert, creator of such categories of the feminine, to investigate concept about fetishism. At the end of the work, we were able to realize that the discourse about female sexuality is constituted for the exclusive benefit of Humbert Humbert, who determines and enjoys the naming of women, that is, by talking about the feminine, the narrator helps us to produce a knowledge, in fact, about male sexuality.
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