{"title":"在童话动画中观看人类和非人类:米歇尔·Ocelot的Kirikou电影的案例","authors":"L. C. Seifert","doi":"10.1353/mat.2023.a900261","DOIUrl":null,"url":null,"abstract":"Abstract:French animator Michel Ocelot has garnered much praise for his fairy-tale films, which resist commercial norms and often question gender and racial stereotypes. But his Kirikou film series has nonetheless been criticized for recycling stereotypes of traditional African life. This article reframes these criticisms by focusing on the depiction of human-nonhuman relations. Ocelot's Kirikou films present a striking contrast between minimalist human figures and detailed backgrounds that focuses attention on how humans interact with the nonhuman. This aspect of the Kirikou films reminds us the fairy tale has much to reveal about how we conceive the world we inhabit.","PeriodicalId":42276,"journal":{"name":"Marvels & Tales-Journal of Fairy-Tale Studies","volume":"31 1","pages":"69 - 79"},"PeriodicalIF":0.0000,"publicationDate":"2023-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Viewing Humans and Nonhumans in Fairy-Tale Animation: The Case of Michel Ocelot's Kirikou Films\",\"authors\":\"L. C. Seifert\",\"doi\":\"10.1353/mat.2023.a900261\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:French animator Michel Ocelot has garnered much praise for his fairy-tale films, which resist commercial norms and often question gender and racial stereotypes. But his Kirikou film series has nonetheless been criticized for recycling stereotypes of traditional African life. This article reframes these criticisms by focusing on the depiction of human-nonhuman relations. Ocelot's Kirikou films present a striking contrast between minimalist human figures and detailed backgrounds that focuses attention on how humans interact with the nonhuman. This aspect of the Kirikou films reminds us the fairy tale has much to reveal about how we conceive the world we inhabit.\",\"PeriodicalId\":42276,\"journal\":{\"name\":\"Marvels & Tales-Journal of Fairy-Tale Studies\",\"volume\":\"31 1\",\"pages\":\"69 - 79\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Marvels & Tales-Journal of Fairy-Tale Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/mat.2023.a900261\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Marvels & Tales-Journal of Fairy-Tale Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mat.2023.a900261","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Viewing Humans and Nonhumans in Fairy-Tale Animation: The Case of Michel Ocelot's Kirikou Films
Abstract:French animator Michel Ocelot has garnered much praise for his fairy-tale films, which resist commercial norms and often question gender and racial stereotypes. But his Kirikou film series has nonetheless been criticized for recycling stereotypes of traditional African life. This article reframes these criticisms by focusing on the depiction of human-nonhuman relations. Ocelot's Kirikou films present a striking contrast between minimalist human figures and detailed backgrounds that focuses attention on how humans interact with the nonhuman. This aspect of the Kirikou films reminds us the fairy tale has much to reveal about how we conceive the world we inhabit.
期刊介绍:
Marvels & Tales (ISSN: 1521-4281) was founded in 1987 by Jacques Barchilon at the University of Colorado, Boulder. Originally known as Merveilles & contes, the journal expressed its role as an international forum for folktale and fairy-tale scholarship through its various aliases: Wunder & Märchen, Maravillas & Cuentos, Meraviglie & Racconti, and Marvels & Tales. In 1997, the journal moved to Wayne State University Press and took the definitive title Marvels & Tales: Journal of Fairy-Tale Studies. From the start, Marvels & Tales has served as a central forum for the multidisciplinary study of fairy tales. In its pages, contributors from around the globe have published studies, texts, and translations of fairy-tales from Europe, North America, Asia, and Africa. The Editorial Policy of Marvels & Tales encourages scholarship that introduces new areas of fairy-tale scholarship, as well as research that considers the traditional fairy-tale canon from new perspectives. The journal''s special issues have been particularly popular and have focused on topics such as "Beauty and the Beast," "The Romantic Tale," "Charles Perrault," "Marriage Tests and Marriage Quest in African Oral Literature," "The Italian Tale," and "Angela Carter and the Literary Märchen." Marvels & Tales is published every April and October by Wayne State University Press.