在赫列布尼科夫的《超时空》中,“时间”和“加速”概念作为乌托邦式意识的常量

IF 0.2 0 LANGUAGE & LINGUISTICS
S. L. Andreeva, Maya L. Bedrikova
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引用次数: 0

摘要

作者根据未来主义诗人、一贯的“budetlyanin”、独特的、未被充分理解和低估的乌托邦思想家韦利米尔·赫列布尼科夫(1885-1922)的作品《赞格子》(1922)、诗歌《命运板》(1922)以及其他诗歌、戏剧作品、论文和文章的材料,在乌托邦意识类型的其他不变的背景下考察了“加速”和“时间”的概念。通过对《赞格子》中隐喻和互文联系的逐行分析,作者展示了赫列布尼科夫在解决乌托邦的主要问题——实现幸福和将人比作上帝——方面的创新。本文的作者认为,诗人的创新在于对所分析的概念进行了特殊的解释,这些概念符合乌托邦的一般概念框架,并通过19世纪末和20世纪初乌托邦思想所熟悉的技术客观化,并在他们所处时代的未来主义思想背景下发展。《藏格子》的艺术完整性是通过赫列布尼科夫使用文学方法“zaum”提供的最广泛的超文本来实现的。意义、观念、符号、形象从看似无序的文本中转化为征服时间的主要思想的和谐体现。Zaum是超文本的代码,是赫列布尼科夫通过不同时代和民族的文化背景绘制的象征性画布。Zaum需要阅读前几代人向预言诗人“萨满”揭示的新的乌托邦思想。赫列布尼科夫在他最后的超级长诗《赞格兹》中解读和呈现的文化密码并没有“抛弃现代性的船”,而是将其他文化和世代的成就联合起来,形成一个新的普遍永恒的连续体,在这个连续体中,时间(过去、现在、未来)仍然存在,但生命的短暂性并不重要,因为一个人可以在时间中“行走”。他完全控制着它,他有能力去到过去或未来,与后代人或上代人联系。赫列布尼科夫为“时间、文字和多样性的包围”问题提供了自己的解决方案,他自己对未来的突破,更准确地说,是对所有时间的突破——进入一个永恒的连续体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The concepts "Time" and "Acceleration" as constants of a utopian type of consciousness in Velimir Khlebnikov’s supersaga Zangezi
The authors examine the concepts “Acceleration” and “Time” in the context of other constants of the utopian type of consciousness based on the material of the works Zangezi (1922), the poem Boards of Destiny (1922), as well as other poetic, dramatic works, treatises and articles by Velimir Khlebnikov (1885–1922), a futurist poet, a consistent “budetlyanin”, a unique, not fully understood and underestimated utopian thinker. The line-by-line analysis of metaphors and intertextual connections of Zangezi allows the authors to show Khlebnikov’s innovation in solving the main issue of utopia – achieving happiness and likening a person to God. According to the authors of this article, the poet’s innovation consists in a special interpretation of the analyzed concepts that fit into the general conceptual framework of utopia and that are objectified by techniques familiar to the utopian thought of the late 19th and early 20th centuries and developed in the context of the futuristic ideas of their time. The artistic integrity of Zangezi is achieved by the widest hypertext that Khlebnikov provides by using the literary method “zaum”. Meanings, ideas, symbols, images from the seemingly disordered text transform into a harmonious embodiment of the main idea of conquering time. Zaum is a code for hypertext, a symbolic canvas Khlebnikov draws through the cultural contexts of different eras and peoples. Zaum is needed to read the new utopian idea that previous generations uncovered to the prophetic poet – “shaman”. The cultural code Khlebnikov deciphered and presented in his final supersaga Zangezi does not “throw off the ship of modernity” the achievements of other cultures and generations, but unites them, forming a new universal timeless continuum, where time (past, present, future) remain, but the transience of life is not essential since a person can “walk” in time. He controls it completely and he has the ability to go to the past or the future, connect with the following or previous generations. Khlebnikov offers his own solution to the problem of the “siege of time, words and multiplicities”, his own breakthrough into the Future, more precisely, into all times – into a timeless continuum.
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来源期刊
CiteScore
0.40
自引率
50.00%
发文量
0
期刊介绍: Tomsk State University Journal of Philology was established with the aim of: - publishing the papers and reviews on the topical issues of modern philology: linguistics, literary studies, communication studies; - promoting the development of theoretical and practical research in the field of socio-humanitarian knowledge; - forging links among scholars from different regions of Russia and other countries. Tomsk State University Journal of Philology is an independent research journal that welcomes submissions from across the world.
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