音乐文化变迁:传统泰国音乐对印尼音乐的吸收

Surasak Jamnongsarn
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引用次数: 0

摘要

自大城府时期以来,泰国传统音乐就受到了外来音乐的影响。Pi Jawa(爪哇长笛),Klong Jawa(爪哇鼓)和一些带有外国标题的传统泰国歌曲在大城府时代已经在法律上和字面上明显存在。有人说,泰国人在音乐方面很开放,将海外音乐文化与自己的音乐文化和谐地融合在一起。民族音乐学家通过音乐语境看到了这一社会现象,并解释了泰国传统音乐的革命不同于一般音乐的接受。本文回顾了印尼音乐,包括来自中爪哇的爪哇音乐和来自西爪哇的巽他音乐,在传统泰国音乐和Angklung Thai风格中融入爪哇方言旋律的过程。印尼音乐被严重而有力地去文化化了。演奏技巧已调整,以适应泰国音乐演奏。在泰国,爪哇佳美兰的调音系统被微调以符合泰国音乐的调音系统。Sundanese Angklung的外观已经被Angklung Thai风格所取代。爪哇歌曲经过了音乐的修饰和改写,以满足泰国音乐家的需求,得到了泰国精英音乐家和以前的泰国音乐机构以及泰国社会人士的认可。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Music deculturation: A traditional thai Music tool for Indonesian Music Adoption
There has been foreign music influence on traditional Thai music since Ayutthaya period. Pi Jawa ( Java flute), Klong Jawa ( Java drum) and some traditional Thai song with foreign title have been legally and literally evident in Ayutthaya era. Some said that Thai people are open-minded in music, harmonious mixing overseas music culture with their own. Ethnomusicologists have seen this social phenomenon via music context and explained the revolution of traditional Thai music differently from the acceptance of music in general. This article reviewed the acceptance of Indonesian music, including Javanese music from Central Java and Sundanese music from West Java, into the Javanese Idiomatic Melody in traditional Thai music and Angklung Thai style. Indonesian music was seriously and forcefully deculturated. Playing technique has been adjusted to suit Thai music playing. Tuning system of Javanese Gamelan in Thailand has been fine tuned to conform to that of Thai music. Physical appearance of Sundanese Angklung has been replaced with Angklung Thai style. Javanese song have undergone music elaboration and rewritten to satisfy Thai musicians, with approval from elite Thai musicians and previous Thai music institutes together with Thai people in the society.
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