{"title":"乔治·s·斯凯勒《不再是黑人》中的讽刺非洲未来主义、种族与情感","authors":"Marijana Mikić","doi":"10.1353/jnt.2022.0004","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":42787,"journal":{"name":"JNT-JOURNAL OF NARRATIVE THEORY","volume":"7 1","pages":"25 - 50"},"PeriodicalIF":0.3000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Satirical Afrofuturism, Race, and Emotion in George S. Schuyler's Black No More\",\"authors\":\"Marijana Mikić\",\"doi\":\"10.1353/jnt.2022.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":42787,\"journal\":{\"name\":\"JNT-JOURNAL OF NARRATIVE THEORY\",\"volume\":\"7 1\",\"pages\":\"25 - 50\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JNT-JOURNAL OF NARRATIVE THEORY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/jnt.2022.0004\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JNT-JOURNAL OF NARRATIVE THEORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/jnt.2022.0004","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
期刊介绍:
Since its inception in 1971 as the Journal of Narrative Technique, JNT (now the Journal of Narrative Theory) has provided a forum for the theoretical exploration of narrative in all its forms. Building on this foundation, JNT publishes essays addressing the epistemological, global, historical, formal, and political dimensions of narrative from a variety of methodological and theoretical perspectives.