以对手为主角:马哈茂德·舒卡尔、汉娜·易卜拉欣和伊比蒂斯姆·阿齐姆的《巴勒斯坦小说》以以色列犹太人物的视角为媒介

IF 0.3 4区 文学 0 LITERATURE
A. Sheetrit
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引用次数: 1

摘要

本研究考察了三部巴勒斯坦作品,分别是汉娜·易卜拉欣的短篇小说《渗透者》(1954)、马哈茂德·舒克尔的短篇小说《莫迪凯的胡子和他妻子的猫》(2004)和伊比蒂斯姆·阿齐姆的《失踪之书》(2014)。值得注意的是,每一部都以一个以色列犹太人作为故事的中心人物;更有趣的是,在每一个故事中,故事都是通过人物的视角来调解的——以他或她为中心。我把聚焦作为一种修辞策略来处理所产生的意义,尤其令人担忧的是,因为这个视角是来自国家冲突的另一方的角色。我的分析涉及叙述者是强化还是削弱了聚焦者的感知,以及聚焦技术如何动摇了既定的感知,并提供了对系统的批评。我研究的是如何通过角色的感知来传达一个故事,在冲突前景的对立面,以及复杂的表现结构和权力动态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Adversary as protagonist: Palestinian Fiction by Mahmoud Shukair, Hanna Ibrahim and Ibtisam Azem mediated through the perspective of Jewish Israeli characters
ABSTRACT This study examines three Palestinian works, Hanna Ibrahim’s short story “Infiltrators,” (1954), Mahmoud Shukair’s short story “Mordechai’s Moustache and His Wife’s Cat” (2004) and Ibtisam Azem’s The Book of Disappearance (2014). Remarkably, each features a Jewish Israeli as a central character in the story; more intriguing, in each, the story is mediated through the perspective of that character – focalized by him or her. I address the significances generated by using focalization as a rhetorical strategy, particularly fraught because the perspective is that of a character from the other side of a national conflict. My analyses address whether the narrator reinforces the focalizer’s perceptions or undermines them, and how the technique of focalization unsettles established perceptions and offers critique of the system. I work through how conveying a story through the perception of a character on the opposite side of the conflict foregrounds and complicates structures of representation and power dynamics.
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CiteScore
0.30
自引率
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