{"title":"以对手为主角:马哈茂德·舒卡尔、汉娜·易卜拉欣和伊比蒂斯姆·阿齐姆的《巴勒斯坦小说》以以色列犹太人物的视角为媒介","authors":"A. Sheetrit","doi":"10.1080/1475262X.2021.1877474","DOIUrl":null,"url":null,"abstract":"ABSTRACT This study examines three Palestinian works, Hanna Ibrahim’s short story “Infiltrators,” (1954), Mahmoud Shukair’s short story “Mordechai’s Moustache and His Wife’s Cat” (2004) and Ibtisam Azem’s The Book of Disappearance (2014). Remarkably, each features a Jewish Israeli as a central character in the story; more intriguing, in each, the story is mediated through the perspective of that character – focalized by him or her. I address the significances generated by using focalization as a rhetorical strategy, particularly fraught because the perspective is that of a character from the other side of a national conflict. My analyses address whether the narrator reinforces the focalizer’s perceptions or undermines them, and how the technique of focalization unsettles established perceptions and offers critique of the system. I work through how conveying a story through the perception of a character on the opposite side of the conflict foregrounds and complicates structures of representation and power dynamics.","PeriodicalId":53920,"journal":{"name":"Middle Eastern Literatures","volume":"56 1","pages":"24 - 43"},"PeriodicalIF":0.3000,"publicationDate":"2020-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Adversary as protagonist: Palestinian Fiction by Mahmoud Shukair, Hanna Ibrahim and Ibtisam Azem mediated through the perspective of Jewish Israeli characters\",\"authors\":\"A. Sheetrit\",\"doi\":\"10.1080/1475262X.2021.1877474\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This study examines three Palestinian works, Hanna Ibrahim’s short story “Infiltrators,” (1954), Mahmoud Shukair’s short story “Mordechai’s Moustache and His Wife’s Cat” (2004) and Ibtisam Azem’s The Book of Disappearance (2014). Remarkably, each features a Jewish Israeli as a central character in the story; more intriguing, in each, the story is mediated through the perspective of that character – focalized by him or her. I address the significances generated by using focalization as a rhetorical strategy, particularly fraught because the perspective is that of a character from the other side of a national conflict. My analyses address whether the narrator reinforces the focalizer’s perceptions or undermines them, and how the technique of focalization unsettles established perceptions and offers critique of the system. I work through how conveying a story through the perception of a character on the opposite side of the conflict foregrounds and complicates structures of representation and power dynamics.\",\"PeriodicalId\":53920,\"journal\":{\"name\":\"Middle Eastern Literatures\",\"volume\":\"56 1\",\"pages\":\"24 - 43\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2020-05-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Middle Eastern Literatures\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/1475262X.2021.1877474\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Middle Eastern Literatures","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/1475262X.2021.1877474","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Adversary as protagonist: Palestinian Fiction by Mahmoud Shukair, Hanna Ibrahim and Ibtisam Azem mediated through the perspective of Jewish Israeli characters
ABSTRACT This study examines three Palestinian works, Hanna Ibrahim’s short story “Infiltrators,” (1954), Mahmoud Shukair’s short story “Mordechai’s Moustache and His Wife’s Cat” (2004) and Ibtisam Azem’s The Book of Disappearance (2014). Remarkably, each features a Jewish Israeli as a central character in the story; more intriguing, in each, the story is mediated through the perspective of that character – focalized by him or her. I address the significances generated by using focalization as a rhetorical strategy, particularly fraught because the perspective is that of a character from the other side of a national conflict. My analyses address whether the narrator reinforces the focalizer’s perceptions or undermines them, and how the technique of focalization unsettles established perceptions and offers critique of the system. I work through how conveying a story through the perception of a character on the opposite side of the conflict foregrounds and complicates structures of representation and power dynamics.