致词问题:向梅根·莫里斯提问

Q3 Social Sciences
J. Frow
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引用次数: 0

摘要

在开始准备这篇对梅根·莫里斯作品的致敬时,我去了一个鼓鼓囊囊的文件夹,里面装着她在大约20年的时间里寄给我的信件、明信片和草稿文件,从20世纪80年代初到21世纪初(最近我们几乎完全通过电子邮件交流)。翻阅这些满是划叉和手写旁注的打字文本时,有一件事让我印象深刻,那就是梅根对她的智力关系给予了极大的关注,在我的例子中,她和一个她不太了解的人住在这个国家的另一边,和她在智力上有很大的不同。我要引用的其中一封信有整整十页,要写这封信,她首先必须仔细仔细地阅读我写的一篇密密的、深奥的论文,用的是8号字体,对我今天来说几乎看不懂。现在想想我只是梅根的一个通讯员。我不知道有多少人收到过她这样的信,但我很确定她一直在和澳大利亚和其他地方的许多人进行书面对话。梅根过去是、现在也是一名教师:她对待学术辩论的态度和我认识的任何人一样认真,她对待辩论的态度谨慎、机智、热情。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Questions of Address: For Meaghan Morris
In beginning to prepare this tribute to Meaghan Morris’s work I went to the bulging folder that contains the letters and postcards and draft papers she sent me over a period of about twenty years, from the early 1980s to the early 2000s (more recently we’ve communicated almost entirely by email). One of the things that strikes me, looking through these pages with their typewritten text full of crossings-out and handwritten marginalia, is the enormous care Meaghan gives to her intellectual relationships, in my case with someone she didn’t know all that well, who lived on the other side of the country, and with whom there were significant points of intellectual difference. One of the letters I’m going to quote from is ten closely typed pages long, and to write it she would first have to have read, closely and carefully, a dense and abstruse paper of mine, set in what looks like 8-point font and to me today almost unreadable. Now consider that I was just one of Meaghan’s correspondents. I don’t know how many people received letters like this from her, but I’m pretty sure she had ongoing written conversations with a number of other people in Australia and elsewhere. Meaghan was and is a teacher: she takes intellectual debate as seriously as anyone I’ve ever known, and she conducts it with care, with tact, and with passion.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
0
期刊介绍: Cultural Studies Review is a peer-reviewed journal devoted to the publication and circulation of quality thinking in cultural studies—in particular work that draws out new kinds of politics, as they emerge in diverse sites. We are interested in writing that shapes new relationships between social groups, cultural practices and forms of knowledge and which provides some account of the questions motivating its production. We welcome work from any discipline that meets these aims. Aware that new thinking in cultural studies may produce a new poetics we have a dedicated new writing section to encourage the publication of works of critical innovation, political intervention and creative textuality.
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