信息电影作为2019冠状病毒病危机期间的修辞回应

Ragnhild Mølster, Jens E. Kjeldsen
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引用次数: 1

摘要

在2019冠状病毒病大流行期间,挪威卫生当局向公民提供了有关该疾病的咨询、信息和接种COVID-19疫苗的建议。他们的工具之一是在他们的官方Facebook页面上分享信息视频。本文透过修辞情境的镜头,调查这些影片在挪威卫生当局的修辞回应中所扮演的角色。在不断变化的大流行病期间,各国政府不断面临新的挑战,必须调整其战略。大流行的不同阶段和不同的修辞情况需要不同的反应。我们研究了挪威卫生当局如何使用信息视频来应对COVID-19大流行期间这些不同的修辞情况,以及他们的视觉修辞特征。我们表明,在冠状病毒大流行等持久危机期间,不同的阶段反复出现,使我们能够建立一些一般的修辞情境。对这些情况的回应是正在进行的关于COVID-19大流行的言论的一部分。我们的分析发现,信息性视频通常使用图形图像,较长,并使用当局对公民的直接地址,因此具有指示功能。有说服力的视频更短,没有直接的画外音,往往具有更强的表达功能。然而,尽管这些视频的内容和形式各不相同,但它们都有一种主要的修辞策略,我们称之为邀请欣赏。大多数视频的主要吸引力介于顺从和参与之间,有时两者同时存在。他们不是直接要求,而是通过电影策略掩饰对遵守措施的直接呼吁,目的不是强迫接受,而是邀请欣赏。这些视频向公民展示了各种场景,并让他们显然可以自由地做出自己的决定。这样,信息电影的修辞就像邀请人们欣赏和采取某些态度和行为一样起作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Information films as rhetorical responses during the COVID-19 crisis
During the COVID-19 pandemic, Norwegian health authorities provided citizens with advice, information about the disease and recommendations to take the COVID-19 vaccine. One of their tools was information videos shared on their official Facebook pages. Through the lens of the rhetorical situation, this article investigates these videos’ role as part of the Norwegian health authorities’ rhetorical response. During a constantly changing pandemic, governments continuously meet new challenges and must adjust their strategies. The various phases of the pandemic and the different rhetorical situations require different responses. We examine how the Norwegian health authorities use information videos to respond to these varying rhetorical situations during the COVID-19 pandemic and what characterizes their visual rhetoric. We show that during a lasting crisis such as the corona pandemic, different phases recur, allowing us to establish some general rhetorical situations. The responses to the situations are part of an ongoing process of rhetoric on the COVID-19 pandemic. Our analyses find that informative videos often use graphic imagery, are longer and use a direct address from authorities to citizen and thus serve a directive function. Persuasive videos are shorter, have less direct voice-over and tend to serve a more expressive function. Still, despite their variation in content and form, the videos share one type of main rhetorical strategy that we call invitation to appreciate. The main appeal in most of the videos is somewhere in-between deference and participation, or sometimes both at the same time. Instead of direct requests, they camouflage the direct appeal for compliance with the measures through filmic strategies in order not to compel acceptance but to invite appreciation. The videos present the citizens with scenarios and position them as apparently free to decide for themselves. In this way the rhetoric of the information films works as invitations to appreciate and adopt certain attitudes and behaviours.
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