{"title":"“我想犹太人应该是幸运的!”:犹太男孩、苏荷区和战后英国电影","authors":"J. Young","doi":"10.13110/JEWIFILMNEWMEDI.6.1.0091","DOIUrl":null,"url":null,"abstract":"ABSTRACT:There is currently a lack of scholarship on Jewish cinema in Britain. As Kevin Gough-Yates has shown, films with Jewish themes are also absent from the postwar period. This article seeks to address this issue by identifying two unique Jewish protagonists who feature in films set in Soho, a historically cosmopolitan center. The character Johnny Jackson (Laurence Harvey) in Expresso Bongo (Val Guest, 1960) is representative of the postwar spiv/wide boy, but he is also, in the words of director Val Guest, \"part Soho, part Jewish.\" Postwar British cinema would depict another Jewish Soho wide boy three years later, imagined by Ken Hughes in his film The Small World of Sammy Lee (1963). This article is concerned with the cinematic representation of the characters Johnny Jackson and Sammy Lee, the actors who play them (Harvey and Anthony Newley, respectively), and their relationship to the Jewish immigrant community in London's Soho and surrounding peripheries.","PeriodicalId":40351,"journal":{"name":"Jewish Film & New Media-An International Journal","volume":"11 1","pages":"115 - 91"},"PeriodicalIF":0.1000,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"An I fort Jews were supposed to be lucky!\\\": Jewish Wide Boys, Soho, and Postwar British Cinema\",\"authors\":\"J. Young\",\"doi\":\"10.13110/JEWIFILMNEWMEDI.6.1.0091\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:There is currently a lack of scholarship on Jewish cinema in Britain. As Kevin Gough-Yates has shown, films with Jewish themes are also absent from the postwar period. This article seeks to address this issue by identifying two unique Jewish protagonists who feature in films set in Soho, a historically cosmopolitan center. The character Johnny Jackson (Laurence Harvey) in Expresso Bongo (Val Guest, 1960) is representative of the postwar spiv/wide boy, but he is also, in the words of director Val Guest, \\\"part Soho, part Jewish.\\\" Postwar British cinema would depict another Jewish Soho wide boy three years later, imagined by Ken Hughes in his film The Small World of Sammy Lee (1963). This article is concerned with the cinematic representation of the characters Johnny Jackson and Sammy Lee, the actors who play them (Harvey and Anthony Newley, respectively), and their relationship to the Jewish immigrant community in London's Soho and surrounding peripheries.\",\"PeriodicalId\":40351,\"journal\":{\"name\":\"Jewish Film & New Media-An International Journal\",\"volume\":\"11 1\",\"pages\":\"115 - 91\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-05-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Jewish Film & New Media-An International Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13110/JEWIFILMNEWMEDI.6.1.0091\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jewish Film & New Media-An International Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13110/JEWIFILMNEWMEDI.6.1.0091","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
"An I fort Jews were supposed to be lucky!": Jewish Wide Boys, Soho, and Postwar British Cinema
ABSTRACT:There is currently a lack of scholarship on Jewish cinema in Britain. As Kevin Gough-Yates has shown, films with Jewish themes are also absent from the postwar period. This article seeks to address this issue by identifying two unique Jewish protagonists who feature in films set in Soho, a historically cosmopolitan center. The character Johnny Jackson (Laurence Harvey) in Expresso Bongo (Val Guest, 1960) is representative of the postwar spiv/wide boy, but he is also, in the words of director Val Guest, "part Soho, part Jewish." Postwar British cinema would depict another Jewish Soho wide boy three years later, imagined by Ken Hughes in his film The Small World of Sammy Lee (1963). This article is concerned with the cinematic representation of the characters Johnny Jackson and Sammy Lee, the actors who play them (Harvey and Anthony Newley, respectively), and their relationship to the Jewish immigrant community in London's Soho and surrounding peripheries.
期刊介绍:
Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.