倾听的行为是发出声音的艺术:在Andile Khumalo的单簧管独奏《追寻空洞的痕迹》中

IF 0.2 4区艺术学 0 MUSIC

Journal of the Musical Arts in Africa Pub Date : 2018-07-03 DOI:10.2989/18121004.2018.1560561

Scott Gleason, Andile Khumalo

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引用次数: 0

摘要

【摘要】安德烈·库马洛的《为B型单簧管独奏而作的空心痕迹》(2014)在多个意义上把“声音”作为音乐注意力的主要参数。在这部作品中，声音以典型的参数(音高、节奏、音色)的形式存在，但也以手势、形状、共振、响度的形式存在，并作为一种探索聆听的空间。这种倾听打开了多重主体性，最终进入了自由的概念。

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The act of listening is the art of giving voice: on Andile Khumalo’s Tracing Hollow traces for solo clarinet

Abstract Andile Khumalo’s Tracing Hollow traces for solo B♭ clarinet (2014) presents ‘sound’ in multiple senses as a primary parameter of musical attention. Sound in this piece exists as the typical parameters (pitch, rhythm, timbre), but also as gesture, shape, resonance, sonority and as a kind of space in which to explore one’s listening. This listening opens out onto multiple subjectivities and ultimately onto a notion of freedom.

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Journal of the Musical Arts in Africa MUSIC-

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