{"title":"学习公式化创造力:语言艺术和演讲中的分块——对Cristóbal Pagán Cánovas的回应","authors":"Alexander T. Bergs","doi":"10.1515/cogsem-2020-2024","DOIUrl":null,"url":null,"abstract":"Abstract This response to the paper by Cristóbal Pagán Cánovas argues that wide-learning networks might actually be useful in the description and analysis of phonology and morphology, but it is less than clear that the same applies to syntax or text. Phenomena such as proverbs and oral poetic formulae are probably better understood in a traditional Construction Grammar framework with mid-level abstract units based on compositionality.","PeriodicalId":52385,"journal":{"name":"Cognitive Semiotics","volume":"18 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Learning formulaic creativity: Chunking in verbal art and speech – a response to Cristóbal Pagán Cánovas\",\"authors\":\"Alexander T. Bergs\",\"doi\":\"10.1515/cogsem-2020-2024\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This response to the paper by Cristóbal Pagán Cánovas argues that wide-learning networks might actually be useful in the description and analysis of phonology and morphology, but it is less than clear that the same applies to syntax or text. Phenomena such as proverbs and oral poetic formulae are probably better understood in a traditional Construction Grammar framework with mid-level abstract units based on compositionality.\",\"PeriodicalId\":52385,\"journal\":{\"name\":\"Cognitive Semiotics\",\"volume\":\"18 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cognitive Semiotics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/cogsem-2020-2024\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cognitive Semiotics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/cogsem-2020-2024","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
Learning formulaic creativity: Chunking in verbal art and speech – a response to Cristóbal Pagán Cánovas
Abstract This response to the paper by Cristóbal Pagán Cánovas argues that wide-learning networks might actually be useful in the description and analysis of phonology and morphology, but it is less than clear that the same applies to syntax or text. Phenomena such as proverbs and oral poetic formulae are probably better understood in a traditional Construction Grammar framework with mid-level abstract units based on compositionality.