翻译中的跨诗学

IF 1.8 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY

TSQ-Transgender Studies Quarterly Pub Date : 2023-02-01 DOI:10.1215/23289252-10273238

Liz Rose

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引用次数: 0

摘要

在一首名为《我，怪物矿》(“Yo monstruo mío”)的诗中，阿根廷激进分子、自称跨性别艺术家Susy Shock要求“我想要什么就有什么”的权利。通过以欲望为中心，斯托克的诗呼应了阿根廷当代女权主义理论，并通过对“怪物”一词的语义主张，对规范的人类主体的建构提出了质疑，但回避了求助于全球北方的跨主体性理论。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Trans* Poetics in Translation

In their poem “I, Monster Mine” (“Yo monstruo mío”) Argentine activist and self-proclaimed trans* sudaca artist Susy Shock demands the right to be “whatever my pinche desire fucking feels like.” By centering desire, Shock's poem echoes contemporary feminist theorizing in Argentina and calls into question the construction of normative human subjects via the semantic claim to the word monster, yet evades recourse to global North theories of trans* subjectivity.

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来源期刊

TSQ-Transgender Studies Quarterly SOCIAL SCIENCES, INTERDISCIPLINARY-

CiteScore

1.90

自引率

28.60%

发文量