从人工辅助修复中学习老电影的缺陷

A. Renaudeau, Travis Seng, A. Carlier, F. Pierre, F. Lauze, Jean-François Aujol, Jean-Denis Durou
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引用次数: 0

摘要

我们建议在老电影中检测缺陷,作为通过涂漆技术修复老电影的更大框架的第一步。我们工作的特殊性是学习电影修复师的专业知识,从一对序列中,由有缺陷的电影组成,以及在专业软件的帮助下半自动修复的同一部电影。为了以最少的人为干预检测这些缺陷,并进一步减少修复所需的时间,我们将连续缺陷帧作为输入输入U-Net,以检测像素强度随空间和时间的意外变化。由于网络的输出是缺陷位置的掩模,因此我们首先必须在胶片修复器使用的软件中恢复的帧的基础上创建掩模帧的数据集,而不是经典的合成地真,这是不可用的。这些掩模是通过计算恢复帧和缺陷帧之间的绝对差值,结合阈值和形态关闭来估计的。我们的网络成功地自动检测出真正的缺陷,比人工选择更精确,具有全方位的形状,包括一些专家修复可能因缺乏时间而错过的缺陷。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Learning Defects in Old Movies from Manually Assisted Restoration
We propose to detect defects in old movies, as the first step of a larger framework of old movies restoration by inpainting techniques. The specificity of our work is to learn a film restorer's expertise from a pair of sequences, composed of a movie with defects, and the same movie which was semiautomatically restored with the help of a specialized software. In order to detect those defects with minimal human interaction and further reduce the time spent for a restoration, we feed a U-Net with consecutive defective frames as input to detect the unexpected variations of pixel intensity over space and time. Since the output of the network is a mask of defect location, we first have to create the dataset of mask frames on the basis of restored frames from the software used by the film restorer, instead of classical synthetic ground truth, which is not available. These masks are estimated by computing the absolute difference between restored frames and defectuous frames, combined with thresholding and morphological closing. Our network succeeds in automatically detecting real defects with more precision than the manual selection with an all-encompassing shape, including some the expert restorer could have missed for lack of time.
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