{"title":"性别与凝视:墨西哥妇女所产生的知识的隐形","authors":"José Ricardo Gutiérrez Vargas","doi":"10.28928/ri/922022/aot1/gutierrezvargasj","DOIUrl":null,"url":null,"abstract":"This work establishes a relation between gender and representation in order to shed light over an epistemic gaze that tends to conceal the knowledge produced by women and override their role as knowing subjects. In this regard, the article analyzes, using the concept “coloniality of seeing”, the representation made, through the exhibition “Femicide in Mexico” (2017) at the Memory and Tolerance Museum in Mexico City, of a group of activism women from the urban outskirts. This approach facilitates to observe how the curatorial use of a set of photographs triggered an epistemic injustice that excluded these women ́s voices from the knowledge/power field that was shaped by the exhibit. Thus, the article posits that collective recognition of women ́s lives, within the context of femicide violence, is sustain by the ways those lives are narrated and framed by women ́s actions and words.","PeriodicalId":52799,"journal":{"name":"Iztapalapa","volume":"21 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Género y mirada: la invisibilización del conocimiento producido por las mujeres en México\",\"authors\":\"José Ricardo Gutiérrez Vargas\",\"doi\":\"10.28928/ri/922022/aot1/gutierrezvargasj\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This work establishes a relation between gender and representation in order to shed light over an epistemic gaze that tends to conceal the knowledge produced by women and override their role as knowing subjects. In this regard, the article analyzes, using the concept “coloniality of seeing”, the representation made, through the exhibition “Femicide in Mexico” (2017) at the Memory and Tolerance Museum in Mexico City, of a group of activism women from the urban outskirts. This approach facilitates to observe how the curatorial use of a set of photographs triggered an epistemic injustice that excluded these women ́s voices from the knowledge/power field that was shaped by the exhibit. Thus, the article posits that collective recognition of women ́s lives, within the context of femicide violence, is sustain by the ways those lives are narrated and framed by women ́s actions and words.\",\"PeriodicalId\":52799,\"journal\":{\"name\":\"Iztapalapa\",\"volume\":\"21 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Iztapalapa\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.28928/ri/922022/aot1/gutierrezvargasj\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Iztapalapa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.28928/ri/922022/aot1/gutierrezvargasj","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这项工作建立了性别和代表性之间的关系,以便揭示一种倾向于掩盖女性所产生的知识并超越她们作为知识主体的角色的认知凝视。在这方面,本文运用“看到的殖民性”(coloniality of seeing)的概念,分析了在墨西哥城记忆与宽容博物馆(Memory and Tolerance Museum)举办的“墨西哥女性屠杀”(Femicide In Mexico, 2017)展览中,一群来自城市郊区的激进主义女性的表现。这种方法有助于观察策展人如何使用一组照片引发认知上的不公正,将这些女性的声音排除在展览塑造的知识/权力领域之外。因此,文章认为,在杀害妇女暴力的背景下,对妇女生活的集体承认是通过妇女的行动和言语叙述和框架的方式来维持的。
Género y mirada: la invisibilización del conocimiento producido por las mujeres en México
This work establishes a relation between gender and representation in order to shed light over an epistemic gaze that tends to conceal the knowledge produced by women and override their role as knowing subjects. In this regard, the article analyzes, using the concept “coloniality of seeing”, the representation made, through the exhibition “Femicide in Mexico” (2017) at the Memory and Tolerance Museum in Mexico City, of a group of activism women from the urban outskirts. This approach facilitates to observe how the curatorial use of a set of photographs triggered an epistemic injustice that excluded these women ́s voices from the knowledge/power field that was shaped by the exhibit. Thus, the article posits that collective recognition of women ́s lives, within the context of femicide violence, is sustain by the ways those lives are narrated and framed by women ́s actions and words.