Counter-discourse

PRISM Pub Date : 2022-09-01 DOI:10.1215/25783491-9966727
Boon Eng Khor
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引用次数: 0

摘要

自马来西亚独立以来,马来西亚的华人社区一直在哀叹自己被马来土著精英边缘化,这一主题经常反映在马来西亚华人作家的作品中。然而,本文考察了华裔作家如何描绘其他少数民族,重点讨论了在少数民族文学表现中锻造反话语的四种方法:二元对立、修辞问题、矛盾陈述和旁观者叙述。每一种叙事策略的讨论都以不同时代、地区、性别和代际作家的作品为例。这些反话语模式突出了少数民族的声音,并在华语社区和其他族群之间创造了有意义的对话。通过这些反话语的探索,麻花作者描绘了马来西亚华人与其他少数民族的关系。在某些情况下,我们也可以观察到麻花作者如何将这种反话语结构作为一种抵抗霸权国家权力的形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Counter-discourse
Since independence, the ethnic Chinese community in Malaysia has lamented its marginalization by the Malay-Bumiputra elite, a theme that is often reflected in writings by ethnically Chinese Malaysian authors. This article, however, examines how ethnic Chinese authors depict other ethnic minorities, focusing on four approaches to forging counter-discourses used in the literary representation of minorities: binary opposition, rhetorical questions, paradoxical statements, and bystander narration. The discussion of each narrative strategy is supported by examples from works by writers from different eras, regions, genders, and generations. These modes of counter-discourse foreground minority voices and create a meaningful dialogue between the Sinophone community and other ethnic groups. Through these counter-discursive explorations, Mahua authors portray the Chinese in Malaysia in relation to other ethnic minorities. In some cases, we can also observe how Mahua authors employ this counter-discourse structure as a form of resistance against hegemonic state power.
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PRISM
PRISM Arts and Humanities-Literature and Literary Theory
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