民俗学、媒介-爱与现代性导论

Coolabah Pub Date : 2019-12-20 DOI:10.1344/co2019271-3
T. Hutton
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引用次数: 0

摘要

本期《Coolabah》主题特刊刊载一系列论文,探讨各种民间传说与现代性的关系,以及当代媒体文化的发展。媒体爱的概念是一个相对较新的概念,由俄罗斯理论民俗学实验室在2014年的会议“文化记忆机制:从民间爱到媒体爱”上阐明。将其与民间传说的经典口头文化进行比较,他们将媒介-爱情定位为文化知识传播的“第三种”、基于屏幕的机制(第二种是文字)。他们认为,就其即时性和互动性而言,Medialore与口头民间传说的共同点多于与中间阶段的书面文本的共同点。在书面文本往往试图取代口头记忆的地方,媒介爱与口头民间爱共同通过对话创造文化知识。“这是一种矛盾的相似性,因为‘屏幕时代’的信息传输和存储技术与口头时代的技术截然不同。”(俄罗斯理论民俗学实验室2014:在线)
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Folklore, Media-Lore & Modernity: An Introduction.
This special themed issue of Coolabah features a series of papers exploring the connections between various forms of folklore and modernity and the development of contemporary media-lore. The concept of media-lore is a relatively recent one, elucidated by the Russian Laboratory of Theoretical Folkloristics at their 2014 conference ‘Mechanisms of Cultural Memory: From Folk-lore to Media-lore’. Comparing it to the classic oral culture of folklore, they position media-lore as a ‘third’, screen-based mechanism for the transmission of cultural knowledge (the second was writing). Medialore, they posit, in its immediacy and interactivity, has more in common with oral folklore than in does with the intermediate stage of written text. Where written text often intends to replace oral memory, media-lore shares with oral folk-lore the creation of cultural knowledge through dialogue. ‘This is a paradoxical similarity since the technology for information transmission and storing in the ‘screen age’ is radically different from those of the oral era.’ (Russian Laboratory of Theoretical Folkloristics 2014: online)
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