“科幻小说与史前史”:唐·德里罗的《地下世界》与人类世小说

IF 0.5 3区 文学 0 LITERATURE
P. Whitmarsh
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引用次数: 0

摘要

摘要:唐·德里罗的小说《地下世界》经常与冷战时期的文学回顾联系在一起,很少被视为人类世的表达:人类活动对地球系统产生重大影响的地质时期。《地下世界》将其复杂的叙事结构与从水平到垂直的实验性空间视角相结合,从而有效地动摇了人类在历史中的地位,揭示了人类与地球的纠缠。德里罗从土地艺术,特别是罗伯特·史密森的作品中采用了这种透视法。小说本身的视觉艺术家克拉拉·萨克斯(Klara Sax)体现了这种美学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Science Fiction and Prehistory”: Don DeLillo’s Underworld and the Novel of the Anthropocene
Abstract:Often associated with literary retrospectives on the Cold War, Don DeLillo’s novel Underworld is rarely viewed as an expression of the Anthropocene: the proposed geological period in which human activity has a significant impact on earth systems. Underworld integrates its complex narrative structure with an experimental spatial perspective that shifts from horizontal to vertical, thereby effectively destabilizing humanity’s position within history and revealing its entanglement with the planet. DeLillo adopts this perspectival approach from land art, specifically the work of Robert Smithson. The novel’s own visual artist, Klara Sax, embodies this aesthetics.
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
42
期刊介绍: Modern Fiction Studies publishes engaging articles on prominent works of modern and contemporary fiction. Emphasizing historical, theoretical, and interdisciplinary approaches, the journal encourages a dialogue between fiction and theory, publishing work that offers new theoretical insights, clarity of style, and completeness of argument. Modern Fiction Studies alternates general issues dealing with a wide range of texts with special issues focused on single topics or individual writers.
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