{"title":"《夜与日:夏洛茨维尔仇恨与恐怖的视觉双联》","authors":"Susan Keith, Leslie-Jean Thornton","doi":"10.1080/15551393.2020.1862664","DOIUrl":null,"url":null,"abstract":"This article critically analyzes a pair of photographs from the Unite the Right rally in Charlottesville, Virginia, in August 2017: Samuel Corum’s nighttime image of torch-bearing protesters on the University of Virginia campus and Ryan Kelly’s Pulitzer Prize-winning daytime image of counterprotesters falling through the air as James A. Fields Jr. rammed his car into them, killing Heather Heyer. Using a close reading of the images as texts—considering their production, contrasts, and resonances—we argue that the photographs form a temporal, technical, and theoretical diptych of anger, hate, fear, confusion, and sorrow.","PeriodicalId":43914,"journal":{"name":"Visual Communication Quarterly","volume":"131 1","pages":"45 - 57"},"PeriodicalIF":0.4000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Night and Day: A Visual Diptych of Hate and Horror in Charlottesville\",\"authors\":\"Susan Keith, Leslie-Jean Thornton\",\"doi\":\"10.1080/15551393.2020.1862664\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article critically analyzes a pair of photographs from the Unite the Right rally in Charlottesville, Virginia, in August 2017: Samuel Corum’s nighttime image of torch-bearing protesters on the University of Virginia campus and Ryan Kelly’s Pulitzer Prize-winning daytime image of counterprotesters falling through the air as James A. Fields Jr. rammed his car into them, killing Heather Heyer. Using a close reading of the images as texts—considering their production, contrasts, and resonances—we argue that the photographs form a temporal, technical, and theoretical diptych of anger, hate, fear, confusion, and sorrow.\",\"PeriodicalId\":43914,\"journal\":{\"name\":\"Visual Communication Quarterly\",\"volume\":\"131 1\",\"pages\":\"45 - 57\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Visual Communication Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/15551393.2020.1862664\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Communication Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15551393.2020.1862664","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
摘要
本文批判性地分析了2017年8月在弗吉尼亚州夏洛茨维尔举行的“团结右翼”集会上拍摄的两张照片:塞缪尔·科鲁姆拍摄的弗吉尼亚大学校园里手持火炬的抗议者的夜间照片，以及瑞安·凯利获得普利策奖的白天照片，照片上的反抗议者从空中坠落，小詹姆斯·a·菲尔兹(James a . Fields Jr.)开车撞向他们，杀死了希瑟·海耶(Heather Heyer)。通过仔细阅读作为文本的图像——考虑它们的制作、对比和共鸣——我们认为这些照片形成了一种时间、技术和理论的愤怒、仇恨、恐惧、困惑和悲伤的双联画。
Night and Day: A Visual Diptych of Hate and Horror in Charlottesville
This article critically analyzes a pair of photographs from the Unite the Right rally in Charlottesville, Virginia, in August 2017: Samuel Corum’s nighttime image of torch-bearing protesters on the University of Virginia campus and Ryan Kelly’s Pulitzer Prize-winning daytime image of counterprotesters falling through the air as James A. Fields Jr. rammed his car into them, killing Heather Heyer. Using a close reading of the images as texts—considering their production, contrasts, and resonances—we argue that the photographs form a temporal, technical, and theoretical diptych of anger, hate, fear, confusion, and sorrow.
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