《古兰经》片段的转变。Syafiq Munawwar

Siddiq Abdur Rozzaq
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引用次数: 0

摘要

《古兰经》在魔法文化中是独一无二的。大多数人认为古兰经是最终的和系统的,在魔法文化中,古兰经有各种各样的形式,不同的一般习惯安排,并用于各种实际需要。与以哈菲斯为导向的记忆和保存《古兰经》的范式相反,Majmu 'atul-Munawwar提供了一种神奇的视角,将《古兰经》的片段以独特的形式转化。那么,古兰经碎片在Majmu 'atul-Munawwar的魔法文化中是如何转变的呢?本研究采用威廉·a·哈维兰的理论。他说,文化要素转化为四种机制:发现、传播、文化损失和文化适应。本研究认为,马吉穆阿图尔-穆瑙瓦古兰经碎片可分为小调和大调两类。《古兰经》的最终形式是在魔法文化中重建的。Majmu 'atul-Munawwar的《古兰经》碎片表明,《古兰经》在不同的文化空间中总是被转化的。因此,《古兰经》的转变是一种需要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Transformasi Fragmen Al-Qur’an dalam Magi: Studi atas Majmu’atul-Munawwar karya KH. Syafiq Munawwar
The Qur’an is uniquely presented in magical culture. Most people who consider the Qur’an was final and systematic, in the magical culture the Qur’an comes with a variety of forms, different arrangements of general habits, and is used for various practical needs. In contrast to the hafiz-oriented paradigm of memorizing and preserving the Qur’an, Majmu’atul-Munawwar offers a magical perspective that transforms fragments of the Qur’an in a unique form. So, how is the quranic fragment transformation in the magical culture of Majmu’atul-Munawwar? This research applies William A. Haviland’s theory. He says that cultural elements transformed into four mechanisms: discovery, diffusion, cultural loss, and acculturation. This research explains that the quranic fragment in the Majmu’atul-Munawwar can be categorized by two: minor and major. The final form of the Quran in the Mushaf Usmani reconstructed in magical culture. Quranic fragment in Majmu’atul-Munawwar shows that the Qur’an always been transformed in different cultural spaces. Therefore the transformation of the Qur’an is a need.
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