Kitoka:传统弦乐器教学的一种选择

Andi Ihsan, T. Florentinus
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引用次数: 0

摘要

Kecapi是一种民族文化产品,在印度尼西亚几乎所有社区都很受欢迎。作为一个拥有各种传统竖琴(kecapi)的地区,南苏拉威西应该能够保留这种乐器,以便在社区中继续存在。政府以课程的形式制定了有关地方文化艺术的政策,将地方文化作为必须提供给学生的教材之一。南苏拉威西传统的凯卡皮教学过程中,仍然使用现代音乐理论方法作为传统凯卡皮教学的支持。本研究的目的是描述和分析kitoka作为一种创新形式的发展,以回答与传统弦乐器的局限性相关的挑战,特别是在南苏拉威西的音乐学习过程中。在本研究中,有两种类型的数据,一种是通过观察和直接访谈获得的第一手数据,另一种是通过文献研究和文献资料获得的补充第一手数据。通过文献研究,观察,访谈和文献资料获得的数据被划分为类别并进行分析,以便能够对它们进行分类并将一类数据与其他数据联系起来。本研究的结果是,kitoka乐器是通过对传统kecapi在采购和视觉设计上的一些弱点进行创新而发展起来的。这当然能够解决在学校教授凯卡皮的问题,而不必离开传统竖琴作为必须保存的文化产品。Kitoka是一种传统竖琴的一部分是根据人们的需求发展起来的特别是今天流行的社区。关键词:传统弦乐器,创新,另类音乐教学
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Kitoka : an Alternative of Traditional String Instrument Instruction
Abstract Kecapi is one of the nation's cultural products that is very popular in almost all communities in Indonesia. As a region that has various types of traditional harp (kecapi), South Sulawesi should be able to maintain the instrument in order to remain exist in the community. The government has made policies on local cultural arts in the form of curriculum by raising the local culture as one of the teaching materials that must be offered to the students. The process of traditional kecapi instruction in South Sulawesi is still using modern methods of music theory as a supporter of traditional kecapi instruction. The purpose of this study is to describe and analyze the development of kitoka as a form of innovation in order to answer the challenges related to the limitations of traditional string instruments especially in the learning process of music in South Sulawesi. In this research there are two types of data, i.e. primary data obtained from observation and direct interview with informants and secondary data as the supplement of the primary data obtained through literature study and documentation. The data that have been obtained through literature study, observation, interview and documentation are divided into categories and analyzed in order to be able to classify them and relate one class of data and the others. The result of this study is that the kitoka musical instrument is developed through innovation by looking at some weaknesses both in the procurement and the visual design of the traditional kecapi. This is certainly able to solve the problem of teaching kecapi in school without having to leave the traditional harp as a cultural product that must be preserved. Kitoka is part of a traditional harp developed on the basis of the needs of the people especially the popular community as it is today. Keywords: Traditional string instrument, Innovation, Alternative music teaching.
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