凯瑟琳·哈姆内特t恤的遗产。时尚作为行动主义

Krisztina Maróy
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摘要

在很长一段时间里,时尚只是一种新奇、一种审美享受、一种个人自我表达的手段、一种占有(Veblen 1899)和一种分离的手段(Simmel 1904)。在过去的三十多年里,随着态度的改变,时尚也被解释为一种社会行动主义的媒介。它不再寻求塑造可穿戴产品和他们的佩戴者的风格,而且世界(Fuad-Luke 2009)。本文将英国时装设计师凯瑟琳·哈姆内特(Katharine Hamnett)的职业生涯和她1984年的媒体丑闻解释为态度转变的起点,当时时尚与社会参与有机地联系在一起,服装成为关注社会和生态问题的一种手段,超越了本身。通过案例研究,本文探讨了围绕服装的不断变化的叙事,提出了当前的问题,如使用有机棉作为原材料的重要性,积极公民的角色,增长的限制,或营销所构建的意义。虽然哈姆内特的作品没有得到应有的讨论,但她在改变这种叙述方面发挥着不可否认的重要作用。今天,由于她积极的设计,社会责任已经成为品牌的基本原则。我们再也不能像Hamnett之前那样谈论时尚了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Legacy of Katharine Hamnett’s T-shirts. Fashion as Activism
Abstract For a long time, fashion was only a novelty, an aesthetic pleasure, a means of individual self-expression, a possession (Veblen 1899), and a means of separation (Simmel 1904). In the last more than thirty years, following a change of attitude, fashion has also become interpretable as a medium of social activism. It no longer seeks to shape only wearable products and the style of their wearers but also the world (Fuad-Luke 2009). This essay interprets the career of British fashion designer Katharine Hamnett and her 1984 media scandal as the starting point for a shift in attitude, when fashion and social engagement became organically linked and dress became a means of bringing social and ecological issues into focus, beyond itself. Drawing on case studies, the essay explores the changing narrative around clothes, raising current issues such as the importance of using organic cotton as a raw material, the role of the active citizen, the limits of growth, or the meanings constructed by marketing. Although Hamnett’s work has received undeservedly little discussion, she has an undeniably important role to play in changing this narrative. Today, thanks to her activist design, social responsibility has become a fundamental principle in branding. We can never talk about fashion in the same way as before Hamnett.
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