IF 0.4 0 RELIGION
Chris L. de Wet
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引用次数: 0

摘要

这篇文章考察了玛利亚的子宫作为洞房的形象,在这个洞房里,圣言和肉体,基督的神性和人性是合一的。这幅图画向读者呈现了一个悖论——上帝的话语和肉体在圣母的子宫里进行了神圣的统一和融合。这项研究追溯了奥古斯丁早期作品中形象的发展,并将其置于奥古斯丁后来的思想背景中,在奥古斯丁的思想中,身体和性被认为是更积极的。该研究旨在证明奥古斯丁的道成肉身神学结构是他关于性的观点——堕落前、堕落后和末世论性——的框架,而道成肉身的论述,尤其是在他后来的思想中,应该主要被视为一种性的论述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Illius sponsi thalamus fuit uterus virginis”
This article examines the image of Mary’s womb as the bridal chamber in which the Word and the flesh, the divine and the human natures of Christ, are united. The image presents the reader with a paradox – the Word and the flesh engage in a divine unification and comingling in the womb of the virgin. The study traces the development of the image in the earlier works of Augustine, and contextualises it within Augustine’s later thought, in which the body and sexuality are considered in a more positive light. The study aims to demonstrate that Augustine’s structuring of incarnational theology served as a framework for his views on sexuality – prelapsarian, postlapsarian, and eschatological sexuality – and the discourse of the incarnation, especially in his later thought, should be seen primarily as a discourse of sexuality.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
11
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