扬·凡霍苏姆和梅克伦堡法庭

IF 0.1 2区 艺术学 0 ART
Gero Seelig
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引用次数: 0

摘要

1900年,弗里德里希·施利(Friedrich Schlie)在“奥德荷兰”的施维林档案中发表了七封信和一张简·惠瑟姆(Jan Huysum)的收据。这只是在施未林发现的范·休苏姆与梅克伦堡-施未林宫廷联系的一小部分痕迹。这种关系从1716年阿姆斯特丹的艺术家接受在位公爵的弟弟克里斯蒂安·路德维希的访问开始,一直持续到1749年艺术家去世。1732年,克里斯蒂安·路德维希(Christian Ludwig)上台后,他渴望获得这位声名鹊起的画家的作品,这一关系得到了进一步发展。尽管世袭的王子和公爵的侍从在几年里多次拜访这位艺术家,但van Huysum在Schwerin的三幅较大的作品最终还是在拍卖会上被买走了。只有两件较小的吊坠是由公爵直接从艺术家那里订购的,而公爵必须等待相当长的时间才能交货。事实证明,这两幅画是范·休瑟姆最后画的作品之一。1900年出版的没有讨论的信件只与这个顺序有关,而本文的目的是给出Jan van Huysum与Schwerin法院的联系的整个范围以及他的艺术在那里的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Jan van Huysum und der Hof von Mecklenburg-Schwerin
In 1900 Friedrich Schlie published seven letters and a receipt by Jan Huysum from the Schwerin archives in "Oud Holland". It was only a fraction of the traces that can be found in Schwerin of van Huysum´s connection with the court of Mecklenburg-Schwerin. This relationship lasted from 1716 when the artist in Amsterdam received the visit of Christian Ludwig, younger brother of the reigning duke, almost until the artist´s death in 1749. The relationship was fueled after Christian Ludwig´s accession to power in 1732 by his eagerness to acquire works by the painter who had since como to fame. In spite of several visits to the artist over a number of years by the hereditary prince and the duke´s chamberlain the three larger works by van Huysum in Schwerin were, in the end, bought at auctions. Only two smaller pendant pieces were ordered directly from the artist by the duke who had to wait for delivery for a considerable number of years. It turned out that the pair was among the last pieces van Huysum painted. The correspondence published without discussion in 1900 only pertains to this order while the present article is aimed at giving the whole scope of the connection of Jan van Huysum to the Schwerin court and the importance of his art there.
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来源期刊
OUD HOLLAND
OUD HOLLAND Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
33.30%
发文量
7
期刊介绍: The periodical Oud Holland is the oldest surviving art-historical periodical in the world. Founded by A.D. de Vries and N. der Roever in 1883, it has appeared virtually without interruption ever since. It is entirely devoted to the visual arts in the Netherlands up to the mid-nineteenth century and has featured thousands of scholarly articles by Dutch and foreign authors, including numerous pioneering art-historical studies. Almost from the magazine’s inception, the publication of archival information concerning Dutch artists has played an important role. From 1885 to his death in 1946, the renowned art historian Dr. Abraham Bredius set a standard of excellence for Oud Holland.
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