{"title":"传统与个人才能:R. Dosa ben Harkinas故事中的叙事视角与意识形态的对立声音(b . yevamot 16a)","authors":"Moshe Simon-Shoshan","doi":"10.1353/jqr.2022.0017","DOIUrl":null,"url":null,"abstract":"Abstract:This essay presents an analysis of a story which has been largely neglected by scholars of what has come to be known as the “Yavne Cycle,” and of talmudic narrative as whole: the Bavli’s version of the story of R. Dosa ben Harkinas. I begin with a close reading of the story, focusing on its sophisticated use of point of view and irony, and then go on to consider its literary and cultural contexts. I seek to establish its status as a high point of talmudic narrative art, an important and highly distinctive element of the Yavne Cycle, and a powerful counter-voice in the Bavli as a whole. I further argue that this story is part of a larger body of texts in the Bavli that challenge the Bavli’s dominant discourse and values. These sources may in turn reflect the work of a group of dissident scholars who were active in the Babylonian academies.","PeriodicalId":22606,"journal":{"name":"The Jewish Quarterly Review","volume":"41 1","pages":"261 - 288"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The Tradition vs. Individual Talent: Narrative Point of View and the Ideological Counter-Voice in the Story of R. Dosa ben Harkinas (bYevamot 16a)\",\"authors\":\"Moshe Simon-Shoshan\",\"doi\":\"10.1353/jqr.2022.0017\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay presents an analysis of a story which has been largely neglected by scholars of what has come to be known as the “Yavne Cycle,” and of talmudic narrative as whole: the Bavli’s version of the story of R. Dosa ben Harkinas. I begin with a close reading of the story, focusing on its sophisticated use of point of view and irony, and then go on to consider its literary and cultural contexts. I seek to establish its status as a high point of talmudic narrative art, an important and highly distinctive element of the Yavne Cycle, and a powerful counter-voice in the Bavli as a whole. I further argue that this story is part of a larger body of texts in the Bavli that challenge the Bavli’s dominant discourse and values. These sources may in turn reflect the work of a group of dissident scholars who were active in the Babylonian academies.\",\"PeriodicalId\":22606,\"journal\":{\"name\":\"The Jewish Quarterly Review\",\"volume\":\"41 1\",\"pages\":\"261 - 288\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Jewish Quarterly Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/jqr.2022.0017\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Jewish Quarterly Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/jqr.2022.0017","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
摘要
摘要:本文分析了一个在很大程度上被学者们所忽视的故事,即所谓的“雅夫尼循环”,以及整个塔木德叙事:巴伐利版本的R. Dosa ben Harkinas的故事。我首先仔细阅读了这个故事,重点是它对观点和讽刺的复杂运用,然后继续考虑它的文学和文化背景。我试图确立它作为塔木德叙事艺术的一个高点的地位,一个重要的和高度独特的元素的亚夫周期,和一个强大的反对声音在巴伐利作为一个整体。我进一步认为,这个故事是巴伐利语中挑战巴伐利语主导话语和价值观的更大文本体的一部分。这些资料可能反过来反映了一群活跃在巴比伦学院的持不同政见的学者的工作。
The Tradition vs. Individual Talent: Narrative Point of View and the Ideological Counter-Voice in the Story of R. Dosa ben Harkinas (bYevamot 16a)
Abstract:This essay presents an analysis of a story which has been largely neglected by scholars of what has come to be known as the “Yavne Cycle,” and of talmudic narrative as whole: the Bavli’s version of the story of R. Dosa ben Harkinas. I begin with a close reading of the story, focusing on its sophisticated use of point of view and irony, and then go on to consider its literary and cultural contexts. I seek to establish its status as a high point of talmudic narrative art, an important and highly distinctive element of the Yavne Cycle, and a powerful counter-voice in the Bavli as a whole. I further argue that this story is part of a larger body of texts in the Bavli that challenge the Bavli’s dominant discourse and values. These sources may in turn reflect the work of a group of dissident scholars who were active in the Babylonian academies.