危险的身体:畸形表演,表达和剥削

Q3 Social Sciences
B. A. Fordham
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引用次数: 4

摘要

19世纪末和20世纪初的畸形表演,在全国各地展示“人类的怪异”以获取利润,作为一种地下娱乐形式重新流行起来。虽然一些非法律学者对美国文化中畸形秀的意义进行了研究,但很少有人关注规范畸形秀的法律或畸形秀参与者的合法权利。本文试图将法律话语引入怪胎秀的讨论中,并在此过程中评论防止歧视身体不同的人的法律途径。根据非法律学者和有关残疾人就业的法律的理论和分析,本文考察了有关畸形秀的法规、条例和判例法。本文认为,现行的法律和案例无法有效地规范和禁止畸形秀,因为它们没有超越畸形秀的虚构和戏剧性,而是采用了对具有不寻常身体的人的污名化假设。文章的结论是,更好的方法是承认畸形秀是一种受第一修正案保护的戏剧。法院在执行反歧视法时应认识到,社会假设,而不是身体条件,是歧视具有不寻常身体的人的根源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dangerous Bodies: Freak Shows, Expression, and Exploitation
The freak shows of the late 1800s and early 1900s, which traveled the nation exhibiting “human oddities” for profit, are regaining popularity as an underground form of entertainment. While some non-legal scholars have investigated the meaning of freak shows in American culture, little attention has been paid to the laws that regulate freak shows or the legal rights of freak show participants. This Article seeks to introduce legal discourse into the discussion of freak shows and, in the process, to comment on legal approaches to preventing discrimination against persons who are physically different. Drawing upon the theories and analysis of non-legal scholars and laws concerning employment of persons with disabilities, this Article examines statutes, ordinances, and case law that address freak shows. This Article argues that current laws and cases that address regulation and prohibition of freak shows are rendered ineffective because they fail to see beyond the fiction and drama of the freak show and instead adopt stigmatizing assumptions about persons with unusual bodies. The Article concludes that a better approach is to recognize that freak shows are a kind of theater subject to First Amendment protection. Courts should enforce anti-discrimination laws with the understanding that social assumptions, not physical conditions, are the root of discrimination against persons with unusual bodies.
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CiteScore
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