瓦拉洛的圣蒙特和嗅觉景观的编排

IF 0.1 4区 艺术学 Q3 Arts and Humanities
D. Karmon
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引用次数: 1

摘要

如果说当代建筑师认为气味是无关紧要的,那么Sacro Monte di Varallo的设计揭示了在早期的现代意大利,气味是如何被利用来传达深刻的意义的。从15世纪开始,方济各会在阿尔卑斯山的山顶上建造了一系列的小教堂,旨在精确地重建圣地,从而创造了一个奇特而迷人的景观,使朝圣者沉浸在基督的生活中,同时也调动了所有的感官。通过仔细考虑这个地点的气味编排,我们可以研究早期现代建筑者赋予气味和嗅觉的特殊价值,在那里,人类与气味的相遇提供了一种将奉献和信仰与生活经验结合起来的重要手段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Sacro Monte at Varallo and the Choreography of an Olfactory Landscape
If contemporary architects consider smell to be insignificant or irrelevant, the design of the Sacro Monte di Varallo reveals how smell was harnessed to convey profound meaning in early modern Italy. Beginning in the fifteenth century, the Franciscans built a series of chapels upon an Alpine mountaintop that was intended as an accurate reconstruction of the Holy Land, thereby creating a strange and fascinating landscape that immersed pilgrims in the life of Christ and that also engaged all the senses. By considering the careful choreography of scent at this site, we can investigate the special value assigned to odor and olfaction by early modern builders, where the human encounter with smell provided an essential means to bind devotion and belief with lived experience.
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来源期刊
Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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