编者注:耶稣和犹大

IF 0.2 3区 艺术学 0 ART
John Cunnally
{"title":"编者注:耶稣和犹大","authors":"John Cunnally","doi":"10.1086/709187","DOIUrl":null,"url":null,"abstract":"Situated in the rear of our set of essays in this issue of Source is an elegiac “Appreciation” by Paul Barolsky of one of his former teachers, the late Fred Licht. Best known for his work on Goya, Licht was a multifaceted scholar and curator whose published essays (including some in Source) covered several centuries of topics ranging from Raphael to Picasso. Barolsky’s remarks about Licht’s “acute visual analysis and . . . depth of historic knowledge” brought me to thinking about one of my own mentors (elegiac moods being rather contagious), Paul Watson, who passed in 2005. Students in his course on Italian Renaissance painting at Penn in the 1970s may no longer remember exactly what Paul said about Botticelli or Mantegna, but they will never forget his wit, which could sometimes take on an acerbic and irreverent tone. I","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Editor’s Note: Of Jesus and Judas\",\"authors\":\"John Cunnally\",\"doi\":\"10.1086/709187\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Situated in the rear of our set of essays in this issue of Source is an elegiac “Appreciation” by Paul Barolsky of one of his former teachers, the late Fred Licht. Best known for his work on Goya, Licht was a multifaceted scholar and curator whose published essays (including some in Source) covered several centuries of topics ranging from Raphael to Picasso. Barolsky’s remarks about Licht’s “acute visual analysis and . . . depth of historic knowledge” brought me to thinking about one of my own mentors (elegiac moods being rather contagious), Paul Watson, who passed in 2005. Students in his course on Italian Renaissance painting at Penn in the 1970s may no longer remember exactly what Paul said about Botticelli or Mantegna, but they will never forget his wit, which could sometimes take on an acerbic and irreverent tone. I\",\"PeriodicalId\":43235,\"journal\":{\"name\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/709187\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOURCE-NOTES IN THE HISTORY OF ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/709187","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0

摘要

在本期《来源》的文章集后面,是保罗·巴罗斯基(Paul Barolsky)为他的一位老师、已故的弗雷德·莱特(Fred light)所写的挽歌《欣赏》(Appreciation)。他最著名的作品是戈雅,他是一位多才多艺的学者和策展人,他发表的文章(包括Source中的一些文章)涵盖了从拉斐尔到毕加索等几个世纪的主题。巴罗斯基对莱特“敏锐的视觉分析和……“历史知识的深度”让我想起了我自己的一位导师(悲恸的情绪颇具感染力),保罗·沃森,他于2005年去世。上世纪70年代,他在宾夕法尼亚大学(Penn)上意大利文艺复兴时期绘画课的学生可能不再记得保罗对波提切利(Botticelli)或曼特尼亚(Mantegna)说了些什么,但他们永远不会忘记他的机智,有时会表现出尖刻和不敬的语气。我
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Editor’s Note: Of Jesus and Judas
Situated in the rear of our set of essays in this issue of Source is an elegiac “Appreciation” by Paul Barolsky of one of his former teachers, the late Fred Licht. Best known for his work on Goya, Licht was a multifaceted scholar and curator whose published essays (including some in Source) covered several centuries of topics ranging from Raphael to Picasso. Barolsky’s remarks about Licht’s “acute visual analysis and . . . depth of historic knowledge” brought me to thinking about one of my own mentors (elegiac moods being rather contagious), Paul Watson, who passed in 2005. Students in his course on Italian Renaissance painting at Penn in the 1970s may no longer remember exactly what Paul said about Botticelli or Mantegna, but they will never forget his wit, which could sometimes take on an acerbic and irreverent tone. I
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.10
自引率
0.00%
发文量
20
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信