巴黎世界博览会上的俄罗斯手工艺部门和建筑师bondarenko在其创作中的作用

IF 0.1 Q4 CONSTRUCTION & BUILDING TECHNOLOGY

Russian Journal of Building Construction and Architecture Pub Date : 2022-12-09 DOI:10.29039/2308-0191-2022-10-4-66-70

Vladimir Shipkov

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引用次数: 0

摘要

1900年巴黎世界博览会上的俄罗斯手工艺部门生动地展示了俄罗斯北方的传统艺术和新兴艺术，包括在其与新艺术运动的综合基础上，艺术方向，后来被称为新俄罗斯风格。在他的回忆录《一个建筑艺术家的笔记》中，I.E. Bondarenko讲述了他在为手工艺部设计展馆时所扮演的角色，以及他与合著者、著名的俄罗斯艺术家K.A. Korovin的关系

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THE RUSSIAN HANDICRAFT DEPARTMENT AT THE WORLD EXHIBITION IN PARIS AND THE ROLE OF ARCHITECT I.E. BONDARENKO IN ITS CREATION

Russian Russian Handicraft Department at the 1900 World Exhibition in Paris served as a vivid demonstration of both the traditional art of the Russian North and the emerging, including on the basis of its synthesis with Art Nouveau, artistic direction, later called the Neo-Russian style. In the text of his memoirs "Notes of an architect artist" I.E. Bondarenko included information about his own role in creating a pavilion for the Handicraft Department, about his relationship with his co-author, the famous Russian artist K.A. Korovin

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来源期刊

Russian Journal of Building Construction and Architecture CONSTRUCTION & BUILDING TECHNOLOGY-

自引率

50.00%

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