{"title":"“像异教徒一样”:夏天的阈限、仪式和宗教权威","authors":"Meredith L. Goldsmith","doi":"10.5325/EDITWHARREVI.34.1.0001","DOIUrl":null,"url":null,"abstract":"Abstract:Early twentieth-century Christianity is typically seen as backdrop, rather than foreground, in Wharton's work. Yet the 2016 American Literature Association panel on Wharton and religion, of which this article was originally a part, demonstrated the need to move religion from backdrop to foreground, especially, perhaps, with Wharton's New England fiction. My reading of Summer suggests that Wharton assessed the culture of Christianity around her in the rural New England of the era more carefully than has been previously supposed. The author's careful distribution of religious imagery and rhetoric at strategic points in the novel works to mark Charity's defiance and to resolve her liminality. In Summer, figures of religious authority mediate Charity's transition from the Mountain to North Dormer, from North Dormer to the Mountain, and back again.","PeriodicalId":40904,"journal":{"name":"Edith Wharton Review","volume":"2 1","pages":"1 - 12"},"PeriodicalIF":0.1000,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Like the Heathen\\\": Liminality, Ritual, and Religious Authority in Summer\",\"authors\":\"Meredith L. Goldsmith\",\"doi\":\"10.5325/EDITWHARREVI.34.1.0001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Early twentieth-century Christianity is typically seen as backdrop, rather than foreground, in Wharton's work. Yet the 2016 American Literature Association panel on Wharton and religion, of which this article was originally a part, demonstrated the need to move religion from backdrop to foreground, especially, perhaps, with Wharton's New England fiction. My reading of Summer suggests that Wharton assessed the culture of Christianity around her in the rural New England of the era more carefully than has been previously supposed. The author's careful distribution of religious imagery and rhetoric at strategic points in the novel works to mark Charity's defiance and to resolve her liminality. In Summer, figures of religious authority mediate Charity's transition from the Mountain to North Dormer, from North Dormer to the Mountain, and back again.\",\"PeriodicalId\":40904,\"journal\":{\"name\":\"Edith Wharton Review\",\"volume\":\"2 1\",\"pages\":\"1 - 12\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Edith Wharton Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/EDITWHARREVI.34.1.0001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AMERICAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Edith Wharton Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/EDITWHARREVI.34.1.0001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
引用次数: 0
摘要
摘要:在沃顿的作品中,二十世纪早期的基督教通常被视为背景,而不是前景。然而,2016年美国文学协会(American Literature Association)关于沃顿与宗教的小组讨论(本文最初是该小组的一部分)表明,有必要将宗教从背景转移到前景,尤其是在沃顿的新英格兰小说中。我对萨默的阅读表明,沃顿对她周围新英格兰农村的基督教文化的评估,比之前认为的要仔细得多。作者在小说中精心分配了宗教意象和修辞,以标志查莉蒂的反抗和解决她的阈限。在夏天,宗教权威人物调解慈善从山到北多马,从北多马到山,再回来的过渡。
"Like the Heathen": Liminality, Ritual, and Religious Authority in Summer
Abstract:Early twentieth-century Christianity is typically seen as backdrop, rather than foreground, in Wharton's work. Yet the 2016 American Literature Association panel on Wharton and religion, of which this article was originally a part, demonstrated the need to move religion from backdrop to foreground, especially, perhaps, with Wharton's New England fiction. My reading of Summer suggests that Wharton assessed the culture of Christianity around her in the rural New England of the era more carefully than has been previously supposed. The author's careful distribution of religious imagery and rhetoric at strategic points in the novel works to mark Charity's defiance and to resolve her liminality. In Summer, figures of religious authority mediate Charity's transition from the Mountain to North Dormer, from North Dormer to the Mountain, and back again.