在罗马文学中对公众形象的描绘

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Thomas Baier
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引用次数: 1

摘要

个体与群体之间的对抗是人类存在的一个基本常数。然而,大众的特殊动力,只能在帝国的文学中看到,从奥维德和塞内加开始,到Ammianus Marcellinus达到高潮,他仿佛从上面,从奥林匹斯的角度,观察着平民,就像来自动物王国的外来人口。对群众行为日益增长的兴趣表现在一种矫揉造作和矫揉造作的风格上。在当代视觉艺术中也可以找到类似的特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Die Darstellung der Masse in der römischen Literatur
The antagonism between the individual and the many is a basic constant of human existence. The particular dynamics of the mass, however, is only perceived in the literature of the Empire, starting with Ovid and Seneca and culminating in Ammianus Marcellinus, who is watching the plebs as if from above, from the Olympian perspective, like a foreign population from the animal kingdom. The increasing interest in the behaviour of the masses found its expression in a mannered and hypertrophic style. Similar features can be found in contemporary visual arts.
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