#BlackOutBTS:种族和自我(即)-显示在数字粉丝

IF 0.5 2区艺术学 0 FILM, RADIO, TELEVISION

JCMS-Journal of Cinema and Media Studies Pub Date : 2023-03-01 DOI:10.1353/cj.2023.0024

Andrea Acosta

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引用次数: 0

摘要

摘要:本文将韩国流行音乐的网络粉丝视为数字时代种族斗争和反抗的场所。在Twitter上，由防弹少青团(BTS)的黑人粉丝发起的“#BlackOutBTS自拍项目”是为了对抗网络种族主义，我认为这些粉丝通过创造性的自我展示行为，有意义地介入了反黑人的视觉政权。反过来，他们的作品将自拍定义为一种动态的、而非静态的数字类型。它的编辑、操纵和图像播放能力——它将摄影与表演结合在一起——使自拍成为对种族化主体进行少数(再)呈现的有效场所。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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#BlackOutBTS: Race and Self(ie)-Display in Digital Fandom

ABSTRACT:This article takes up K-pop's online fandoms as sites of racial work and resistance in the digital era. Examining the #BlackOutBTS selfie project on Twitter, a project created by and for Black fans of Korean group BTS to combat online racism, I argue these fans intervene meaningfully into anti-Black optic regimes through creative acts of self-display. In turn, their productions frame the selfie as a dynamic, rather than static, digital genre. Its capacity for editing, manipulation, and image play—its merging of photography with performance—makes the selfie an effective site for a minoritarian (re)presentation of the racialized subject.

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来源期刊

JCMS-Journal of Cinema and Media Studies FILM, RADIO, TELEVISION-

CiteScore

1.20

自引率

0.00%

发文量