铸造黑人雅典娜:古希腊女神在现代视听媒体中的黑人表现及超越

IF 0.5 3区 艺术学 0 FILM, RADIO, TELEVISION
Aimee Hinds Scott, Maciej P Paprocki
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引用次数: 2

摘要

本文以黑人在电影和电视中的希腊罗马女神形象为研究对象,探讨了观众对这些形象产生中立或好感的历史和意识形态条件。采用跨媒介的视角,对大众文化和想象中逐渐脱节的希腊神话诸神观念的交叉力量进行了思考。这些力量包括非专业人士对古代性别及其艺术诠释的理解,种族与肤色歧视,以及电影的商品文化。本文研究的一些黑人女神的形象出现在迪士尼想象或影响的作品中:赫拉克勒斯(1997年的电影,1998-1999年的动画系列),小美人鱼(1989年的电影,2008年的百老汇音乐剧)和童话镇(2011-2018年的电视剧),而另一些则出现在Syfy的魔术师(2015-2020年的电视剧)和里克·赖尔丹的珀西·杰克逊(2010年的电影和即将上映的电视剧)。将黑人女性塑造为希腊女神逐渐削弱了白人与希腊罗马神性之间概念上的纠缠,通过文化的积累引导观众接受神灵的另类表现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Casting Black Athenas: Black Representation of Ancient Greek Goddesses in Modern Audiovisual Media and Beyond
Abstract This article focuses on Black representations of Greco-Roman goddesses in film and on television, exploring the historical and ideological conditions which have allowed audiences to react neutrally or favorably toward such representations. Adopting the transmedial perspective, the intersecting forces that have gradually disjointed conceptions of the gods and goddesses of Greek mythology in popular culture and imagination are considered. Such forces include nonspecialist understandings of ancient gender and its artistic interpretation, race versus colorism, and the commodity culture of cinema. Some portrayals of Black goddesses examined in this article appear in works imagineered or influenced by Disney: Hercules (1997 film, 1998–1999 animated series), The Little Mermaid (1989 film, 2008 Broadway musical) and Once Upon a Time (2011–2018 television series), whereas others appear in Syfy’s The Magicians (2015-2020 television series) and Rick Riordan’s Percy Jackson (2010 film and the upcoming television series). Casting Black women as Greek goddesses gradually weakens the conceptual entanglement between the Whiteness and the Greco-Roman divine, priming audiences to accept alternative representations of deities through cultural accretion.
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来源期刊
JOURNAL OF POPULAR FILM AND TELEVISION
JOURNAL OF POPULAR FILM AND TELEVISION FILM, RADIO, TELEVISION-
CiteScore
0.60
自引率
0.00%
发文量
11
期刊介绍: How did Casablanca affect the home front during World War II? What is the postfeminist significance of Buffy the Vampire Slayer? The Journal of Popular Film and Television answers such far-ranging questions by using the methods of popular culture studies to examine commercial film and television, historical and contemporary. Articles discuss networks, genres, series, and audiences, as well as celebrity stars, directors, and studios. Regular features include essays on the social and cultural background of films and television programs, filmographies, bibliographies, and commissioned book and video reviews.
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