点燃人类世:现代澳大利亚的火焰、表现和时间性

IF 0.2 0 LITERARY THEORY & CRITICISM
P. Hayward
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引用次数: 0

摘要

欧洲人对澳大利亚的殖民将一个新的人口引入了这个大陆,在这个大陆上,土著居民自古以来就把循环燃烧作为一种生态系统维护的形式。定居者对土著知识和相关习俗的完全蔑视导致这些习俗在很大程度上被废弃了。这样做的一个结果是,景观越来越容易受到丛林火灾的影响,这一因素在21世纪初已经上升到突出位置。越来越频繁和凶猛的大火席卷了这片土地,引发了人们对一场连绵不断的、炽热的天启的恐惧,这场天启可能会使非洲大陆许多地区的居民无法生存。这标志着定居者的焦虑进入了一个新阶段,而广播和数字媒体平台对火灾的广泛报道加剧了定居者的焦虑。本文融合了土著文化、19 -21世纪欧洲定居者视觉艺术、文学和现代传播媒体的讨论,首先考察了人类世现代性的本质,以及澳大利亚土著人民非常不同的世界观和实践。特别注意的是时间的感觉和生活和工作与火。接下来的章节将讨论地球的现状以及我们如何适应未来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Firing up the Anthropocene: Conflagration, Representation and Temporality in Modern Australia
The European colonization of Australia introduced a new population into a continent in which Indigenous people had practiced cyclic burning as a form of ecosystem maintenance since time immemorial. The settlers’ complete disdain for Indigenous knowledge and related practices caused these customs to largely fall into disuse. One result of this was an increased vulnerability of landscapes to bush fires, a factor that has risen to the fore in the early twenty-first century. The fires that have swept across the landscape with increasing frequency and ferocity have provoked fears of a rolling, fiery apocalypse that might make living in many areas of the continent untenable. This marks a new phase of settler anxiety that has been fuelled by extensive coverage of fires on broadcast and digital media platforms. Blending discussions of Indigenous culture, 19th-21st-century European settler visual art, literature and modern communications media, this article begins by examining the nature of Anthropocene modernity and the very different worldviews and practices of Australian Indigenous peoples. Particular attention is given to senses of time and of living and working with fire. Subsequent sections open up the topic with regard to the planetary present and how we might adjust to the future.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
0
审稿时长
23 weeks
期刊介绍: Text Matters: A Journal of Literature, Theory and Culture, based at the University of Łódź, is an international and interdisciplinary journal, which seeks to engage in contemporary debates in the humanities by inviting contributions from literary and cultural studies intersecting with literary theory, gender studies, history, philosophy, and religion. The journal focuses on textual realities, but contributions related to art, music, film and media studies addressing the text are also invited. Submissions in English should relate to the key issues delineated in calls for articles which will be placed on the website in advance. The journal also features reviews of recently published books, and interviews with writers and scholars eminent in the areas addressed in Text Matters. Responses to the articles are more than welcome so as to make the journal a forum of lively academic debate. Though Text Matters derives its identity from a particular region, central Poland in its geographic position between western and eastern Europe, its intercontinental advisory board of associate editors and internationally renowned scholars makes it possible to connect diverse interpretative perspectives stemming from culturally specific locations. Text Matters: A Journal of Literature, Theory and Culture is prepared by academics from the Institute of English Studies with considerable assistance from the Institute of Polish Studies and German Philology at the University of Łódź. The journal is printed by Łódź University Press with financial support from the Head of the Institute of English Studies. It is distributed electronically by Sciendo. Its digital version published by Sciendo is the version of record. Contributions to Text Matters are peer reviewed (double-blind review).
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