《所罗门之歌》与米开朗基罗的《诱惑

IF 0.2 3区 艺术学 0 ART
J. Manca
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引用次数: 0

摘要

米开朗基罗·博纳罗蒂(Michelangelo Buonarroti)的《西斯廷教堂的诱惑》(Temptation in the Sistine Chapel)以图像的自由和创新为标志,因为艺术家不止一次地偏离了圣经文本和绘画传统(图1)。创世纪3:6描述了狡猾的蛇如何用分别善恶树上的禁果诱惑夏娃,而她反过来诱惑了第一个男人:女人见那树的果子好作食物,也悦人的眼目,且是可喜爱的,能使人有智慧,就摘下果子来吃了,又给他丈夫。他确实吃了。”米开朗基罗,也许是为了强调亚当的自由意志、思想独立和不可原谅
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“His fruit was sweet to my taste”: The Song of Solomon and Michelangelo’s Temptation
Michelangelo Buonarroti’s Temptation in the Sistine Chapel is marked by iconographic freedom and innovation, as the artist departs more than once from biblical text and pictorial tradition (fig. 1). Genesis 3:6 describes how the wily serpent tempted Eve with forbidden fruit from the Tree of the Knowledge of Good and Evil, and she, in turn, tempted the first man: “And when the woman saw that the tree was good for food, and that it was pleasant to the eyes, and a tree to be desired to make one wise, she took of the fruit thereof, and did eat, and gave also unto her husband with her; and he did eat.” Michelangelo, perhaps to emphasize Adam’s free will, independence of mind, and inexcusable
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