俄罗斯文学文化传统中的“神圣罗斯”概念:介于第三罗马与基捷什城之间

Q1 Arts and Humanities
Oleksandr Zabirko
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引用次数: 0

摘要

本文探讨了19世纪以来俄罗斯文学和文化中“神圣罗斯”(或“神圣俄罗斯”)概念的谱系。神圣罗斯是俄罗斯神圣地理不可分割的一部分,在俄罗斯帝国扩张的背景下,为了成为宗教和种族纯洁性的缩影,神圣罗斯经历了一些深刻的语义转变。关注俄罗斯与种族和宗教他者接触的文学表现,以及它与欧洲启蒙运动普遍主义主张的斗争,该研究强调了“神圣罗斯”概念的殖民方面,从而质疑其为西方认识论霸权提供可行的“本土”替代方案的潜力。最后,本文对神圣罗斯作为统一国家力量和教派间对话的先验模式的当今利用进行了批判性回顾。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Concept of Holy Rus’ in Russian Literary and Cultural Tradition: Between the Third Rome and the City of Kitezh
The paper explores the genealogy of the concept of Holy Rus’ (or Holy Russia) in Russian literature and culture from the nineteenth century onward. An integral part of Russian sacred geography, Holy Rus’ underwent some profound semantic transformations in order to become an epitome of religious and ethnic purity in the context of Russia’s imperial expansion. Focusing on the literary manifestations of Russia’s contacts with the ethnic and religious Other as well as on its struggle with the universalist claims of the European Enlightenment, the study highlights the colonial aspects of the notion of Holy Rus’, thus questioning its potential of providing a viable ‘indigenous’ alternative to the Western epistemological hegemony. Finally, the paper offers a critical review of the present-day exploitation of Holy Rus’ as a transcendental model of both a unifying national force and inter-confessional dialogue.
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来源期刊
Entangled Religions
Entangled Religions Arts and Humanities-Religious Studies
CiteScore
1.10
自引率
0.00%
发文量
47
审稿时长
24 weeks
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