爱德华·科尔斯顿与冠状病毒:对税收时代税收叙事的反思

Ann Mumford
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引用次数: 0

摘要

2020年夏季是全球悲剧加剧的一年。自今年年初以来,冠状病毒大流行夺去了数百万人的生命,摧毁了经济。此外,5月25日,乔治·弗洛伊德在明尼苏达州明尼阿波利斯的一家商店外被捕后死亡,引发了世界各地的大规模抗议和示威。本文的目的是考虑两个具有全球影响的悲剧——COVID-19大流行和乔治·弗洛伊德之死——是否可以提供一个动力,让我们更近距离地考虑爱德华·科尔斯顿(Edward Colston)故事中稍微不那么传统的方面,这位17世纪布里斯托尔商人的雕像在英国夏季抗议活动最激烈的时候被扔进了埃文河。在英国和世界各地,Covid-19对白人白人背景的人的影响尤为严重;而且,全球对释放的深刻反应
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Edward Colston And the Coronavirus: A Reflection on Narratives of Taxation in Taxing Times
Summer 2020 was marked by compounding, global tragedy. Since the beginning of the year, the Coronavirus pandemic has claimed millions of lives, and destroyed economies. Additionally, on the 25th May, George Floyd died following his arrest outside of a shop in Minneapolis, Minnesota, triggering mass protests and demonstrations around the world. The aim of this article is to consider whether two tragedies, of global impact – the COVID-19 pandemic, and the death of George Floyd – might provide an impetus to consider a slightly less traditional aspect of the story of Edward Colston, the seventeenth century Bristolian merchant whose statue was thrown into the River Avon at the height of the summer protests in the UK, a bit more closely. Covid-19 has impacted persons from BAME backgrounds disproportionately, in the UK and around the world; and, the profound global reaction to the release of
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