三镇革命:电影政治对城市空间研究的启示。

Q3 Social Sciences
S. V. Srinivas
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引用次数: 7

摘要

电影和城市公地组成部分之间的交汇点是人群,以及人群在任何给定时间点和任何话语中所蕴含的一切。受欢迎的泰卢固电影充满了人群的例子,以及电影如何处理它。这种构成和命名社会形态的现象,以及由此引起的误认,对讨论城市公地最有启发意义。本文分析了1982年泰卢固语电影《Eenadu》,这部电影主要关注人群,以说明电影如何将聚集在屏幕前的大众与屏幕上的自己面对面,构建了一种新的政治参与模式,这种模式以具有传奇色彩的超级明星的大众吸引力为中心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Three-town revolution: implications of cinema's politics for the study of urban spaces.
The point of convergence between cinema and constituents of the urban commons is the crowd and everything that the crowd connotes at any given point of time and in any discourse. Popular Telugu cinema is replete with examples of the crowd and what cinema does with it. This phenomenon of constituting and naming social formations and the misrecognitions it gives rise to are most instructive in a discussion of the urban commons. This paper analyses Eenadu, a 1982 Telugu film that is centrally concerned with crowds, to illustrate how cinema brings the mass gathered before the screen face-to-face with a version of itself on thescreen, framing a new mode of political participation pivoted on the popular appeal of larger-than-life superstars.
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来源期刊
Economic and Political Weekly
Economic and Political Weekly Social Sciences-Political Science and International Relations
CiteScore
0.90
自引率
0.00%
发文量
2
期刊介绍: The Economic and Political Weekly, published from Mumbai, is an Indian institution which enjoys a global reputation for excellence in independent scholarship and critical inquiry. First published in 1949 as the Economic Weekly and since 1966 as the Economic and Political Weekly, EPW, as the journal is popularly known, occupies a special place in the intellectual history of independent India. For more than five decades EPW has remained a unique forum that week after week has brought together academics, researchers, policy makers, independent thinkers, members of non-governmental organisations and political activists for debates straddling economics, politics, sociology, culture, the environment and numerous other disciplines.
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