爵士一分:爵士和古典音乐家的工作记忆

IF 0.6 0 MUSIC
Bryan E. Nichols, Clemens Wöllner, A. Halpern
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引用次数: 6

摘要

与古典音乐家相比,爵士音乐家依靠不同的技巧才能成功演出。研究了古典音乐家和爵士音乐家在音乐和非音乐工作记忆任务上的工作记忆广度。大学年龄的音乐家完成了巴克内尔听觉意象量表,随后进行了口头工作记忆测试和音乐工作记忆测试,包括视觉和听觉呈现模式以及书面或演奏回忆。参与者被要求在完成一项分散注意力的任务后,通过写作、说话或弹钢琴来回忆每项任务的最后一个单词(或音高)。与古典音乐家相比,爵士音乐家回忆起更多以听觉形式呈现的音高,以及在钢琴上回忆的音高。分数与多年的爵士演奏经验呈正相关。我们的结论是,在音乐专业知识的研究中应该考虑训练的类型,并且音乐家的认知技能测试应该包括特定领域的组件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Score One for Jazz: Working Memory in Jazz and Classical Musicians
Jazz musicians rely on different skills than do classical musicians for successful performances. We investigated the working memory span of classical and jazz student musicians on musical and nonmusical working memory tasks. College-aged musicians completed the Bucknell Auditory Imagery Scale, followed by verbal working memory tests and musical working memory tests that included visual and auditory presentation modes and written or played recall. Participants were asked to recall the last word (or pitch) from each task after a distraction task, by writing, speaking, or playing the pitch on the piano. Jazz musicians recalled more pitches that were presented in auditory versions and recalled on the piano compared with classical musicians. Scores were positively correlated to years of jazz-playing experience. We conclude that type of training should be considered in studies of musical expertise, and that tests of musicians’ cognitive skills should include domain-specific components.
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来源期刊
Psychomusicology
Psychomusicology Multiple-
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