在西雷朋的潘基南清真寺建筑中,人们对外国陶瓷的社会建设

Ashar Murdihastomo, Irva Bauty
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引用次数: 0

摘要

锡雷邦过去是一个拥挤而著名的国际港口城市。许多外国商人路过这里,甚至在这里定居。他们的活动之一是建立一个被称为潘朱南的定居点。盘朱南的定居点有一座清真寺,非常有趣,它被称为盘朱南清真寺。清真寺里有趣的事情是,作为各种装饰的陶瓷被放置在清真寺的墙上。本研究提出的问题是基于社会建构理论来证明陶瓷与盘朱南清真寺之间的关系。这个问题引出了对陶瓷使用背景的研究。回答这些问题的过程是通过直接观察、文献回顾和以社会理论为基础的数据分析来完成的。本研究的结果表明,在盘朱南清真寺中,陶瓷作为装饰图案的使用是由社区成员(艺术家)的范式衍生出来的,他们与盘朱南清真寺联系在一起,提供了对锡勒本陶瓷的新理解或解释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Konstruksi Sosial masyarakat Tehadap Keramik Asing di Bangunan Masjid Panjunan, Cirebon
Cirebon was a crowded and famous international port city in the past. Many foreign traders stopped by and even settled in this area. One of their activity was establishing a settlement which is called Panjunan. The settlement in Panjunan has a mosque which is quite interesting and it is known as the Panjunan Mosque. The interesting thing in the mosque is the presence of ceramics that were placed on the walls of the mosque as a variety of decoration. The problem raised on this study was to proof the relationship between ceramics and the mosque in Panjunan based on social construction theory. This question leads to the study to find out the background of the use of ceramics. The process of answering these questions is done by using direct observation, literature review, and data analysis by using social theory as the ground base. The results of this study conclude that the use of ceramics as decorative patterns in the Panjunan Mosque is derived by the paradigm of the community member (artists) who are bound with the Panjunan Mosque in providing new understanding or interpretation of ceramics in Cirebon.
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