Kenite Heber欺骗了一个贫穷的Yokel:对Yehuda Al-Ḥarizi的Sefer的二十一门的文学解读Taḥkemoni(与其阿拉伯语来源Al-Hamadhāni的Al- maqama Al-Baghdādiyya相比)

Q2 Arts and Humanities
Idit Einat-Nov
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引用次数: 0

摘要

摘要:本文拟细读耶胡达·阿尔-Ḥarizi的《塞弗尔Taḥkemoni》,并与原阿拉伯文译本Al-Hamadhāni的《Al- maqama Al-Baghdādiyya》进行比较。这种阅读是基于这样的假设:一些著名的中世纪押韵希伯来故事是以不确定性为诗歌原则的,这一原则可以解释(并被解释)它们频繁使用矛盾元素和各种形式的讽刺、怪诞和模棱两可。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Heber the Kenite Deceives a Poor Yokel: A Literary Reading of the Twenty-First Gate in Yehuda Al-Ḥarizi's Sefer Taḥkemoni (Compared to its Arabic Source, Al-Hamadhāni's Al-Maqama Al-Baghdādiyya)
Abstract:This paper proposes a close-reading of one of the best-known maqamas in Yehuda Al-Ḥarizi's Sefer Taḥkemoni, which is here compared with the original Arabic version, Al-Hamadhāni's Al-Maqama Al-Baghdādiyya. This reading is based on the hypothesis that some of the well-known medieval rhymed Hebrew stories are based on uncertainty as a poetic principle and that this principle can explain (and be explained by) their frequent use of contradictory elements and varied forms of the ironic, the grotesque, and the ambiguous.
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来源期刊
Hebrew Studies
Hebrew Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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