《荒凉山庄》中的人物

IF 0.2 3区文学 Q2 Arts and Humanities

STUDIES IN ENGLISH LITERATURE 1500-1900 Pub Date : 2019-12-04 DOI:10.1353/sel.2019.0036

Monica Cohen

{"title":"《荒凉山庄》中的人物","authors":"Monica Cohen","doi":"10.1353/sel.2019.0036","DOIUrl":null,"url":null,"abstract":"Abstract:This article begins when, in the first installment of Charles Dickens’s Bleak House, Lady Dedlock faints at the sight of some handwriting on a legal document: the personal character of her former lover defiantly haunts the law hand he learned as a legal copyist. This tension between personal character and professional handwriting encapsulates midcentury copyright debates in which the moral rights of a personalized model of authorship competed with the trade interests of British publishing. The novel’s representation of this curious handwriting, however, materializes quite literally in the second installment: in the British publication in parts, Bradbury and Evans reproduce this intriguing hand in a letter whose exotic typeface reflects the creative machinery of a booming print industry.","PeriodicalId":45835,"journal":{"name":"STUDIES IN ENGLISH LITERATURE 1500-1900","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2019-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Bleak House’s Characters in Hand and Type\",\"authors\":\"Monica Cohen\",\"doi\":\"10.1353/sel.2019.0036\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article begins when, in the first installment of Charles Dickens’s Bleak House, Lady Dedlock faints at the sight of some handwriting on a legal document: the personal character of her former lover defiantly haunts the law hand he learned as a legal copyist. This tension between personal character and professional handwriting encapsulates midcentury copyright debates in which the moral rights of a personalized model of authorship competed with the trade interests of British publishing. The novel’s representation of this curious handwriting, however, materializes quite literally in the second installment: in the British publication in parts, Bradbury and Evans reproduce this intriguing hand in a letter whose exotic typeface reflects the creative machinery of a booming print industry.\",\"PeriodicalId\":45835,\"journal\":{\"name\":\"STUDIES IN ENGLISH LITERATURE 1500-1900\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-12-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN ENGLISH LITERATURE 1500-1900\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/sel.2019.0036\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN ENGLISH LITERATURE 1500-1900","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sel.2019.0036","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}

引用次数: 0

摘要

摘要:在查尔斯·狄更斯的小说《荒凉山庄》的第一部中，德洛克夫人在看到一份法律文件上的字迹时昏倒了:她的前情人的个人性格在他作为法律抄写员学习的法律文书中顽强地出没。个人性格和专业笔迹之间的紧张关系概括了上世纪中叶的版权辩论，在这场辩论中，个性化作者模式的道德权利与英国出版业的贸易利益相竞争。然而，小说对这种奇特笔迹的再现，在第二部分中得到了相当真实的体现:在英国出版的部分中，布拉德伯里和埃文斯在一封信中再现了这种有趣的笔迹，其奇特的字体反映了蓬勃发展的印刷业的创作机制。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Bleak House’s Characters in Hand and Type

Abstract:This article begins when, in the first installment of Charles Dickens’s Bleak House, Lady Dedlock faints at the sight of some handwriting on a legal document: the personal character of her former lover defiantly haunts the law hand he learned as a legal copyist. This tension between personal character and professional handwriting encapsulates midcentury copyright debates in which the moral rights of a personalized model of authorship competed with the trade interests of British publishing. The novel’s representation of this curious handwriting, however, materializes quite literally in the second installment: in the British publication in parts, Bradbury and Evans reproduce this intriguing hand in a letter whose exotic typeface reflects the creative machinery of a booming print industry.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

STUDIES IN ENGLISH LITERATURE 1500-1900 LITERATURE, BRITISH ISLES-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.