{"title":"拥有和囤积:Xandra Ibarra的实物课程","authors":"Leticia Alvarado","doi":"10.1215/00382876-10644015","DOIUrl":null,"url":null,"abstract":"Thinking with the work of Oakland-based artist Xandra Ibarra, this essay engages the object lessons accessed through analysis of the artist's oeuvre. Dwelling specifically with the objects Ibarra gathers and thinking askance to new materialist approaches when theorizing the social life of objects, Alvarado explores the racial vespers that suffuse objects, their presentation and exchange, as well as our interpretation of relations of exchange. Alongside Ibarra's theorization of “things” as published in her art lexicon guide, this essay additionally considers the elevation of proper feminist and ethnic/racialized objects and subjects in art markets and social justice spaces, their circulation as “things,” and Ibarra's exhaustion in the face of this process. Ultimately this essay takes up Ibarra's own engagement with the proper objects of Latinx art and women of color feminisms and her awareness of herself as a bad object for funding, presentation, and favored kinds of political work.","PeriodicalId":21946,"journal":{"name":"South Atlantic Quarterly","volume":"1 1","pages":""},"PeriodicalIF":2.1000,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"To Have and to Hoard: Xandra Ibarra's Object Lessons\",\"authors\":\"Leticia Alvarado\",\"doi\":\"10.1215/00382876-10644015\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Thinking with the work of Oakland-based artist Xandra Ibarra, this essay engages the object lessons accessed through analysis of the artist's oeuvre. Dwelling specifically with the objects Ibarra gathers and thinking askance to new materialist approaches when theorizing the social life of objects, Alvarado explores the racial vespers that suffuse objects, their presentation and exchange, as well as our interpretation of relations of exchange. Alongside Ibarra's theorization of “things” as published in her art lexicon guide, this essay additionally considers the elevation of proper feminist and ethnic/racialized objects and subjects in art markets and social justice spaces, their circulation as “things,” and Ibarra's exhaustion in the face of this process. Ultimately this essay takes up Ibarra's own engagement with the proper objects of Latinx art and women of color feminisms and her awareness of herself as a bad object for funding, presentation, and favored kinds of political work.\",\"PeriodicalId\":21946,\"journal\":{\"name\":\"South Atlantic Quarterly\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":2.1000,\"publicationDate\":\"2023-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"South Atlantic Quarterly\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1215/00382876-10644015\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"South Atlantic Quarterly","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1215/00382876-10644015","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
To Have and to Hoard: Xandra Ibarra's Object Lessons
Thinking with the work of Oakland-based artist Xandra Ibarra, this essay engages the object lessons accessed through analysis of the artist's oeuvre. Dwelling specifically with the objects Ibarra gathers and thinking askance to new materialist approaches when theorizing the social life of objects, Alvarado explores the racial vespers that suffuse objects, their presentation and exchange, as well as our interpretation of relations of exchange. Alongside Ibarra's theorization of “things” as published in her art lexicon guide, this essay additionally considers the elevation of proper feminist and ethnic/racialized objects and subjects in art markets and social justice spaces, their circulation as “things,” and Ibarra's exhaustion in the face of this process. Ultimately this essay takes up Ibarra's own engagement with the proper objects of Latinx art and women of color feminisms and her awareness of herself as a bad object for funding, presentation, and favored kinds of political work.
期刊介绍:
Individual subscribers and institutions with electronic access can view issues of the South Atlantic Quarterly online. If you have not signed up, review the first-time access instructions. Founded amid controversy in 1901, the South Atlantic Quarterly continues to cover the beat, center and fringe, with bold analyses of the current scene—national, cultural, intellectual—worldwide. Now published exclusively in special issues, this vanguard centenarian journal is tackling embattled states, evaluating postmodernity"s influential writers and intellectuals, and examining a wide range of cultural phenomena.