{"title":"Antal Hofhauser设计的新哥特式教堂","authors":"N. Németh, Katalin Marótzy","doi":"10.3311/PPAR.16861","DOIUrl":null,"url":null,"abstract":"Antal Hofhauser was a descendant of an old stonemason family in Buda. Sacral architecture played an important role in lifework. There is good reason to suppose that his work and position as a teacher played a very important role, increased his authority and the appearance of his entries was far more beautiful than that of other entries. Teaching certain subjects for long decades enabled him to vary the already existing solutions easily. His authority and his good reputation from previous principals may have helped him on several occasions, that he was able to win assignments from the second rank, or a supervisor position. Based on his studies in Vienna and his interest in urban architecture, he always adapted his churches to the current situation and possibilities. Not too inventively, but fulfilling the principals requirements, he varied and vested the fundamental towered, longitudinal, Latin-cross-shaped, which had one or three naves, a polygon-closed sanctuary and was canonised from the Middle Ages, with well-known elements chosen from medieval styles. This layout, and similar constructions, like fundations can also be observed in the case of Bátaszék and Békéscsaba. Based on the cover he used in general, his style could be called \"Backsteingotik\" (Brick Gothic), however, the forms he used and the building materials he replaces evoke the architecture of French territories instead.","PeriodicalId":33684,"journal":{"name":"Periodica Polytechnica Architecture","volume":"24 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Neo-Gothic Church Designs by Antal Hofhauser\",\"authors\":\"N. Németh, Katalin Marótzy\",\"doi\":\"10.3311/PPAR.16861\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Antal Hofhauser was a descendant of an old stonemason family in Buda. Sacral architecture played an important role in lifework. There is good reason to suppose that his work and position as a teacher played a very important role, increased his authority and the appearance of his entries was far more beautiful than that of other entries. Teaching certain subjects for long decades enabled him to vary the already existing solutions easily. His authority and his good reputation from previous principals may have helped him on several occasions, that he was able to win assignments from the second rank, or a supervisor position. Based on his studies in Vienna and his interest in urban architecture, he always adapted his churches to the current situation and possibilities. Not too inventively, but fulfilling the principals requirements, he varied and vested the fundamental towered, longitudinal, Latin-cross-shaped, which had one or three naves, a polygon-closed sanctuary and was canonised from the Middle Ages, with well-known elements chosen from medieval styles. This layout, and similar constructions, like fundations can also be observed in the case of Bátaszék and Békéscsaba. Based on the cover he used in general, his style could be called \\\"Backsteingotik\\\" (Brick Gothic), however, the forms he used and the building materials he replaces evoke the architecture of French territories instead.\",\"PeriodicalId\":33684,\"journal\":{\"name\":\"Periodica Polytechnica Architecture\",\"volume\":\"24 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-03-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Periodica Polytechnica Architecture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3311/PPAR.16861\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Periodica Polytechnica Architecture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3311/PPAR.16861","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
Antal Hofhauser是布达一个古老石匠家族的后裔。骶骨建筑在生活工作中发挥了重要作用。我们有充分的理由认为,他作为教师的工作和地位起到了非常重要的作用,增加了他的权威,他的作品的外观比其他作品要漂亮得多。教授某些科目长达数十年,使他能够轻松地改变已有的解决方案。他的权威和前任校长的良好声誉可能在很多场合帮助了他,他能够从二级或主管职位上赢得任务。基于他在维也纳的学习和他对城市建筑的兴趣,他总是使他的教堂适应当前的情况和可能性。不是太有创意,但满足了主要要求,他改变并赋予了基本的塔形,纵向,拉丁十字形,有一个或三个中殿,一个多边形封闭的圣所,从中世纪被封为圣徒,从中世纪风格中选择了众所周知的元素。这种布局和类似的结构,如基础,也可以在Bátaszék和bassaha的情况下观察到。从他使用的封面来看,他的风格可以被称为“砖哥特式”(backsteingotk),然而,他使用的形式和他所取代的建筑材料却唤起了法国领土的建筑。
Antal Hofhauser was a descendant of an old stonemason family in Buda. Sacral architecture played an important role in lifework. There is good reason to suppose that his work and position as a teacher played a very important role, increased his authority and the appearance of his entries was far more beautiful than that of other entries. Teaching certain subjects for long decades enabled him to vary the already existing solutions easily. His authority and his good reputation from previous principals may have helped him on several occasions, that he was able to win assignments from the second rank, or a supervisor position. Based on his studies in Vienna and his interest in urban architecture, he always adapted his churches to the current situation and possibilities. Not too inventively, but fulfilling the principals requirements, he varied and vested the fundamental towered, longitudinal, Latin-cross-shaped, which had one or three naves, a polygon-closed sanctuary and was canonised from the Middle Ages, with well-known elements chosen from medieval styles. This layout, and similar constructions, like fundations can also be observed in the case of Bátaszék and Békéscsaba. Based on the cover he used in general, his style could be called "Backsteingotik" (Brick Gothic), however, the forms he used and the building materials he replaces evoke the architecture of French territories instead.