新语料库:《变形记》中的新身体和性别模式

Dictynna Pub Date : 2020-12-17 DOI:10.4000/dictynna.2277
A. Sharrock
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引用次数: 3

摘要

本文探讨了奥维德《变形记》中的变形结果。虽然这首诗可能沉浸在不断的变化中,但在很大程度上,性别以一种令人惊讶的静态特征出现,当与奥维德转变的后果一起阅读时,它也具有显著的分量。虽然在男性和女性转变的最终目的地可能没有固定的模式来明确地建立差异,但我表明,存在着重要的性别模式,对阶级和社会地位也有一些可能意想不到的后果。在考虑这首诗的主要目的地时,我们可以看到不同的结果模式:树木的性别基础很强,水道、神和石头的性别意义重大(尽管不是简单确定的),鸟类和其他动物的性别平等。这篇文章处理了一些无意识的性别先入之见,并探讨了性别对变形的持久意义,在那些成为奥维德变形的受害者或偶尔受益者的各种结果中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Noua … corpora: New Bodies and Gendered Patterns in the Metamorphoses
This article explores metamorphic outcomes in Ovid’s Metamorphoses. While the poem may be steeped in constant mutability, for the most part gender emerges as a surprisingly static feature, and one that carries remarkable weight also when read beside the aftermaths of Ovidian transformations. Though there may be no fixed schema that categorically establishes disparities in the final destinations of male and female transformations, I show that there are significant gendered patterns with some perhaps unexpected consequences for class and social status also. In considering the poem’s main destinations, we can see distinct patterns of outcomes: heavily gender-based for trees, gender-significant (albeit not simply determined) for watercourses, gods, and stones, and gender-equal in the case of birds and other animals. The article tackles some of the unconscious gender preconceptions at play, and explores the enduring significance of gender for the Metamorphoses within the various outcomes of those who become victims, or occasionally beneficiaries, of Ovidian metamorphosis.
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