{"title":"进入无法想象的黑暗漩涡。尼亚拉托提普或洛夫克拉夫特能指的轨迹","authors":"Mariangela Ugarelli Risi","doi":"10.5565/rev/brumal.912","DOIUrl":null,"url":null,"abstract":"Fantastic, speculative, and fantasy fiction share an appropriately uncanny relationship with psychoanalysis. Lovecraft and his semantic tentacles immediately come to mind. Indescribable, ineffable, unimaginable, Lovecraftian monsters appear, on the surface, as a perfect placeholder for the Lacanian Real. Following this model (shallow/depth), exemplified by Lacan’s seminar on «The Purloined Letter», «The Call of Cthulhu» has been often used as a parable for the Real. This text argues that Cthulhu cannot represent the real, at least, not anymore. It has become exhausted as a signifier, overrepresented in contemporary pop culture. In its stead, Nyarlathotep, the Crawling Chaos, like the Real, cannot be pinned down due to its very nature. The Crawling Chaos or the God of a Thousand Faces travels in the same way as the signifier does: on one side its shape is permanently changing (Y-axis) but, at the same time, it crawls along the x-axis.","PeriodicalId":40661,"journal":{"name":"Brumal-Research Journal on the Fantastic","volume":"175 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-01-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Into the sightless vortex of the unimaginable. Nyarlathotep or the trajectory of the Lovecraftian signifier\",\"authors\":\"Mariangela Ugarelli Risi\",\"doi\":\"10.5565/rev/brumal.912\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Fantastic, speculative, and fantasy fiction share an appropriately uncanny relationship with psychoanalysis. Lovecraft and his semantic tentacles immediately come to mind. Indescribable, ineffable, unimaginable, Lovecraftian monsters appear, on the surface, as a perfect placeholder for the Lacanian Real. Following this model (shallow/depth), exemplified by Lacan’s seminar on «The Purloined Letter», «The Call of Cthulhu» has been often used as a parable for the Real. This text argues that Cthulhu cannot represent the real, at least, not anymore. It has become exhausted as a signifier, overrepresented in contemporary pop culture. In its stead, Nyarlathotep, the Crawling Chaos, like the Real, cannot be pinned down due to its very nature. The Crawling Chaos or the God of a Thousand Faces travels in the same way as the signifier does: on one side its shape is permanently changing (Y-axis) but, at the same time, it crawls along the x-axis.\",\"PeriodicalId\":40661,\"journal\":{\"name\":\"Brumal-Research Journal on the Fantastic\",\"volume\":\"175 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-01-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Brumal-Research Journal on the Fantastic\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5565/rev/brumal.912\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Brumal-Research Journal on the Fantastic","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5565/rev/brumal.912","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Into the sightless vortex of the unimaginable. Nyarlathotep or the trajectory of the Lovecraftian signifier
Fantastic, speculative, and fantasy fiction share an appropriately uncanny relationship with psychoanalysis. Lovecraft and his semantic tentacles immediately come to mind. Indescribable, ineffable, unimaginable, Lovecraftian monsters appear, on the surface, as a perfect placeholder for the Lacanian Real. Following this model (shallow/depth), exemplified by Lacan’s seminar on «The Purloined Letter», «The Call of Cthulhu» has been often used as a parable for the Real. This text argues that Cthulhu cannot represent the real, at least, not anymore. It has become exhausted as a signifier, overrepresented in contemporary pop culture. In its stead, Nyarlathotep, the Crawling Chaos, like the Real, cannot be pinned down due to its very nature. The Crawling Chaos or the God of a Thousand Faces travels in the same way as the signifier does: on one side its shape is permanently changing (Y-axis) but, at the same time, it crawls along the x-axis.
期刊介绍:
Brumal. Research Journal on the Fantastic is presented as an interdisciplinary and multilingual publication aimed at researchers and specialists. The fantastic is understood here as an always problematic confrontation between the real and the impossible in a textual world imitating ours. Therefore, other non-mimetic genres like science fiction or fantasy, which do not adhere to this definition, are excluded in Brumal. Linked to the Grupo de Estudios sobre lo Fantástico (GEF, Research Group on the Fantastic) from the Universidad Autónoma de Barcelona (www.lofantastico.com), Brumal welcomes works on the fantastic dealing with its different artistic manifestations (narrative, theatre, cinema, comic, painting, photography and video-games), in any language and from any country during the 19th, 20th and 21st centuries. Texts can be sent in Spanish, Catalan, Galician, English, French, Portuguese or Italian. Brumal is structured in three differentiated sections (Monograph, Miscellaneous and Reviews) and will be published every six months (december and june).