算法艺术:洗牌空间和时间

IF 0.4 Q1 HISTORY
L. Lai
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引用次数: 0

摘要

为什么艺术与科学的对话很重要,它们应该如何进行?我们的日常文化和制度结构是如何定义和界定这些可能性的?为什么当代艺术爱好者仍然认为他们不受科学知识的影响?媒体艺术活动的参观者应该如何理解机器的工作?算法艺术:洗牌时空(AA)通过一系列主题讨论和600平方米的机器和计算装置室内游乐场,向技术专家、艺术家、艺术爱好者和公众提出这些问题。AA也试图把重点放在生存问题上。成立20年的香港城市大学创意媒体学院,在香港(媒体)艺术史上留下了怎样的印记?学院是香港唯一一所以学术与实践相结合的方式,探讨新媒体艺术创作的概念问题,以及如何在大数据时代“生存”的教学研究中心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Algorithmic Art: Shuffling Space and Time
Why are art-science dialogues important, and how should they take place? How do our everyday culture and institutional constructs define and delimit such possibilities? Why do contemporary art lovers still presume they are immune to and from scientific knowledge? How should a visitor of a media art event make sense of the machine work? Algorithmic Art: Shuffling Space & Time (AA) directed these questions to technical experts, artists, art lovers, and the public through a series of themed discussions and a six-hundred-square-meter indoor playground of machines and computational installations. AA also sought to key in on the question of survival. What mark has the struggling existence of the twenty-year-old School of Creative Media at the City University of Hong Kong left to Hong Kong’s (media) art history? The school remains the only pedagogic research center in Hong Kong where conceptual issues of new media art creation and how to “live” in an age of big data are interrogated through scholarship and practice.
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CiteScore
0.70
自引率
33.30%
发文量
0
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